A relevant but sometimes awkwardly executed etiquette reminder.
A young boy is repeatedly told to be quiet in Moore’s rhyming debut picture book.
As the book opens, narrator Michael tells readers that he’s about to tell them a story about a name that people call him and hopes “you can help me figure out what this nickname is all about.” He then describes situations in which he was very loud and disruptive. His parents, principal, and teachers all tell him, “Shhh...Quiet, Michael!” He assumes, however, that it’s just an unusual moniker. Then he realizes that “Although the sounds that I made are sometimes fine, I did not make them at the right time.” He goes over moments when he acted inappropriately and explains how he could have been more considerate. The overarching lesson, which highlights respectful behavior, is notable. However, the book is a bit lengthy and could have been pared down without losing its effectiveness. It’s also repetitive, as when Michael unnecessarily reviews events that readers have already witnessed. Debut illustrator Berry’s simple, full-color images are bold and bright, mirroring the tone of the text. They also feature helpful thought bubbles and representations of sounds (such as “Rap! Tap! Tap!”). Michael and his family are shown as dark-skinned, and other characters have a range of skin tones.
A relevant but sometimes awkwardly executed etiquette reminder.Pub Date: July 17, 2019
ISBN: 978-1-72580-306-0
Page Count: 33
Publisher: CreateSpace
Review Posted Online: Nov. 6, 2019
Review Program: Kirkus Indie
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
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BOOK REVIEW
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A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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