Neoconservative gadfly Lind bites fiercely at right and left- -and just about every American institution in between. The author, executive editor of the National Interest, has garnered much attention with his articles on the decline of intellectual conservatism, immigration reform, and other touchy subjects. His first book will add fuel to several fires he's already set. Seeking to define the American character—a construct that seems increasingly abstract in the era of culture wars, canon reform, and the Republican Third Revolution—Lind traces the transformation of American society from its English origins to its multicultural present, a trajectory that he handles with all the depth of a junior-college survey course. He is more interesting when he moves into more controversial areas. Quoting Lyndon Johnson approvingly, he demands that the United States establish a policy of zero-net immigration and ask of would-be citizens, ``What can you do for our country?'' Defending his position at length, he decries conservative nativism and liberal relativism alike, arguing that unskilled immigration works to the disadvantage of the American underclass and benefits only the wealthy. He has unkind words for current smash-the-welfare-state dogma, remarking that ``the white overclass can afford to be indifferent to the decline of the wages and quality of life of the average American because its members have devised ways to insulate themselves from rotting cities, poor jobs, crumbling urban public schools, wandering maniacs, crime.'' No orthodoxy escapes Lind, whose text provides endless material for debate. His fondness for hyperbole and farfetched historical analogies sometimes undermines his arguments, and many readers will dismiss his simplistic call for a western European cultural ideal based on multiparty democracy and proportional representation as no more than a pipe dream. (For another look at redefining American identity, see David A. Hollinger, Postethnic America, p. 608.) Still, an intelligent albeit unfocused foray, far richer—and much worthier of serious consideration—than the usual polemic.
Pub Date: July 4, 1995
ISBN: 0-02-919103-3
Page Count: 350
Publisher: Free Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1995
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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