If it all sounds slightly bonkers, it is—but Logan’s unique combination of bombastic action sequences, off-kilter...
The stakes are raised when opposing forces threaten all-out war in the midst of the zombie apocalypse.
Scottish journalist Logan (Wannabes, 2014, etc.) returns to the gore-filled world portrayed in his debut, Apocalypse Cow (2013). This is very much a novel about getting the band back together, at least those members of the motley crew who managed to survive the first go-round. To recap, a botched attempt to create a bioweapon created zombie cows in Britain in the first book. Now the outbreak has spread to humans, though the zombies it creates are more Invasion of the Body Snatchers than traditional monsters. “Extreme cases aside, the virus seems to have translated into more arguments, a lot more sex, and an inability to queue. They’d become Italian,” Logan writes. Journalist Lesley McBrian’s bestselling memoir of survival lands her a gig with the New York Times. She soon discovers a plot among the American, Russian, and Chinese governments to initiate “Operation Excision,” which intends to eradicate the infected Brits, along with aid workers, with a one-two punch of nerve gas and neutron bombs. Lesley and her source are duly kidnapped and dumped back in Great Britain. Teenager Geldof Peters travels from Croatia to Scotland under the protection of mercenaries hired by his grandfather. Young Ruen Peat has come under the protection of Fanny Peters, a social activist and Geldof’s mum. Fanny and her people have discovered that although they're infected, they've been able to fight off the effects through meditation, dope smoking, “combat yoga,” and sex. Finally, the U.K. prime minister, Tony Campbell, has decided that if there’s any threat to his country, he'll use his last intercontinental ballistic missile to spread the disease worldwide.
If it all sounds slightly bonkers, it is—but Logan’s unique combination of bombastic action sequences, off-kilter characters, and wild-eyed scenarios should please fans of speculative fiction and horror alike.Pub Date: June 9, 2015
ISBN: 978-1-250-06165-2
Page Count: 320
Publisher: St. Martin's Griffin
Review Posted Online: March 16, 2015
Kirkus Reviews Issue: April 1, 2015
BOOK REVIEW
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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