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THE IDEAS THAT CONQUERED THE WORLD

PEACE, DEMOCRACY, AND FREE MARKETS IN THE TWENTY-FIRST CENTURY

In the absence of a viable alternative, in Mandelbaum’s estimation, the Wilson triad is the best show in town, warts and...

A lofty—and disengaged—overview of liberal triumphalism at the start of the 21st century.

By “liberalism,” Mandelbaum (The Dawn of Peace in Europe, 1996, not reviewed) in essence means the ideas that Woodrow Wilson brought to the Paris Peace Conference: “peace as the preferred basis of relations among countries; democracy as the optimal way to organize political life within them; and the free market as the indispensable vehicle for producing wealth.” Yet, and much to his credit, Mandelbaum recognizes these three principles as ideals to strive for and not as faits accomplis. In the post–Cold War world, the US has had a special role to play bringing these values from the core—where they are firmly established—to the surface, but it has by no means hewn closely to their ideal. Instances of unilateral military adventurism, interference in the affairs of sovereign states, and gross inequities of wealth between nations and classes abound. Nor is it necessarily an inherently just picture; the market economy presupposes winners and losers, and while Mandelbaum has little trouble plumping for the peace and democracy elements, he is less convincing on the free market angle: Was US intervention in the Middle East—for instance, in Iran in 1953—really conducive to free trade as the oil-exporting countries saw it, let alone pursuant of democracy? As for those “cultural underpinnings” necessary to building a market economy and making a commitment to peace and democracy, Mandelbaum introduces John Locke, Adam Smith, and others like them to the exclusion of the great, complex cultural world that may also seek a voice.

In the absence of a viable alternative, in Mandelbaum’s estimation, the Wilson triad is the best show in town, warts and all: “The one worse thing than the triumph of these ideas that conquered the world is their defeat.”

Pub Date: Sept. 1, 2002

ISBN: 1-58648-134-7

Page Count: 512

Publisher: PublicAffairs

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2002

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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