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JACKPOT

HOW THE SUPER-RICH REALLY LIVE―AND HOW THEIR WEALTH HARMS US ALL

A scathing but fair indictment of how the mindless worship of wealth makes us all poorer.

Is getting filthy rich really worth it?

Mother Jones senior editor Mechanic offers a harsh wake-up call for the millions of American dreamers who still believe that winning the lottery—or just simply having obscene wealth—will change their lives for the better. The author ushers readers past the velvet rope to reveal the lifestyles of the ultrawealthy and the ever more expensive ventures they have to indulge in to not only keep themselves amused, but to outdo their wealthy peers. One of the most interesting factoids in this well-researched book is that, according to one study, a person’s “self-reported positive emotions improved with rising earnings up to a satiation point at about $65,000 per year. Negative emotions…declined as earnings increased, reaching an inverse satiation point at $95,000.” As Mechanic demonstrates throughout this eye-opening book, once the contentment with one’s finances ends, the addiction to “extrinsic” goals—e.g., buying mansions, cars, and other luxury goods—leaves less time for the “intrinsic” pursuits that give us real grounding. The author is a personable guide to this gilded world, showing how the ultrawealthy make their money and how U.S. tax laws and loopholes allow them to keep building it—but he also provides a cautionary tale about the myriad headaches that unbridled wealth can bring. Mechanic is happy to report that the rich are often bored and miserable—and (surprise!) less compassionate unless they can balance their extrinsic and intrinsic pursuits. Though the text is often a gleeful sendup of the absurd eccentricities of the superrich, the author also spotlights a few billionaires who find genuine spiritual contentment in giving their wealth away. “For an actual rags-to-riches tale,” writes the author, “one might turn to Ford Foundation president Darren Walker, who grew up penniless in rural Texas and went on to become an icon in the world of philanthropy.”

A scathing but fair indictment of how the mindless worship of wealth makes us all poorer.

Pub Date: April 13, 2021

ISBN: 978-1-982127-21-3

Page Count: 400

Publisher: Simon & Schuster

Review Posted Online: Jan. 25, 2021

Kirkus Reviews Issue: Feb. 15, 2021

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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