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THE LOST PRINCE

A SEARCH FOR PAT CONROY

A fiercely honest and melancholy portrait of a “protean figure who cast a large shifting shadow.”

A very personal memoir about the acclaimed Southern writer.

Novelist and journalist Mewshaw’s (Sympathy for the Devil: Four Decades of Friendship with Gore Vidal, 2015, etc.) portrait of his close friend Pat Conroy (1945-2016) is breezy, sympathetic, and affectionate. Conroy, he writes, was a “manic talker and tireless narrator of stories, some much too tall to be true, some so searingly true they left scars on his listeners,” and he calls Conroy’s works “the prose equivalent of lacerating confessional poetry.” Their friendship extended through the 1980s and ’90s when Conroy was working on Prince of Tides and Beach Music. It was Conroy who later suggested Mewshaw write about him. When Conroy first met Mewshaw in Rome in 1981, he told him he was “desperate for a friend.” Mewshaw was an amiable writer who was also a good listener, which Conroy needed. Mewshaw then “devoured” The Water Is Wide and The Great Santini. The latter comes up quite a bit here, not just because it was so well-done and became a popular movie, but because Mewshaw, as he got closer to Conroy, became increasingly suspicious about the veracity of Conroy’s descriptions of his relationships with his “ruthless” Marine father and submissive mother. As Conroy once told Mewshaw, “I’m the most falsely open person you’ll ever meet.” Their families also became close, and Mewshaw writes extensively about these relationships—sometimes too much. Conroy “wore me out,” Mewshaw writes, “and he worried me.” Their friendship fell apart over family issues. The book is full of wonderful anecdotes and vignettes about fellow writers William Styron, Mark Helprin, Nora Ephron, and Gore Vidal, who told Mewshaw that Conroy’s “novels about dysfunctional families indicate just how fucked-up our nuclear units have become.” Mewshaw also chronicles Conroy’s alcoholism and the devastating effect it had on his writing and health.

A fiercely honest and melancholy portrait of a “protean figure who cast a large shifting shadow.”

Pub Date: Feb. 26, 2019

ISBN: 978-1-64009-149-8

Page Count: 288

Publisher: Counterpoint

Review Posted Online: Nov. 10, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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