by Michael Morris ‧ RELEASE DATE: Oct. 1, 2024
Somewhat repetitive, but with useful lessons on cultural accommodation and coexistence.
An anthropologist examines ways in which ingrained notions of belonging and difference can be put to work for the good.
The notion that humans are by nature tribal beings fell into some disrepute after World War II, before which it was common to essentialize: Germans are naturally warlike, Americans naturally forward-looking. “These approaches reduced cultures to stable patterns,” writes Morris, but cultures are instead in constant change, especially with globalization. So to with tribes—around the world, a sort of default form of social organization, bound by associations of families and clans into larger but still manageable polities. “In these nested groups our forebears first felt the exciting and empowering experience of connection to myriad individuals and ideas, the ongoing experiment that we call ‘society,’” Morris writes. Some of those ideas yield “in-group” pressures to conform, while others help create traditions, formal or informal, that are often quite revealing. In this last regard, it’s interesting to learn that sales of macaroni and cheese skyrocketed after 9/11, a reversion to comfort food in the wake of catastrophe. Given that in-group pressures can turn deeply negative in some instances, such as the current anti-immigration impulse sweeping the U.S. and Europe and indeed the inability of “red” and “blue” constituents to talk with each other, Morris counsels seeking ways to make room for other tribes, altering, as he puts it, a “culture fit” stance to a “culture add” policy. While such talk is sure to rile the anti-DEI crowd, Morris urges readers to remember that, again, cultures evolve to adapt to new situations and can do so positively—as when, in one of his examples, Catalonians figured out a way to incorporate Muslims into a traditional festival that featured local pork sausage by broadening the celebration to include locally made but also halal cheeses.
Somewhat repetitive, but with useful lessons on cultural accommodation and coexistence.Pub Date: Oct. 1, 2024
ISBN: 9780735218093
Page Count: 336
Publisher: Thesis/Penguin
Review Posted Online: July 10, 2024
Kirkus Reviews Issue: Aug. 15, 2024
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BOOK REVIEW
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
BOOK REVIEW
by Howard Zinn with Ray Suarez
BOOK REVIEW
by Howard Zinn
by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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by Shavone Charles ; illustrated by Ashley Lukashevsky
by Leo Baker ; illustrated by Ashley Lukashevsky
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