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SWANN'S WAR

Sharply drawn characters, a “locked-room” location, and a tension-filled WWII setting illuminate this wartime thriller.

During World War II, a female police officer investigates a spate of murders on a tiny island off the coast of Massachusetts.

Oren’s novel opens arrestingly with a local police captain discovering a fisherman’s unexpected catch of a human body. Then, an initial assessment of death by drowning goes distinctly south when it turns out that the man was strangled. Things only get trickier from there since it’s wartime, 1944, and the corpse is that of a prisoner of war: The island, along with its docks, trawlers, and cranberry bogs, includes a prison camp of Italian POWs and a U.S. military emplacement headed by a lieutenant who’d prefer to be on the front lines (his wealthy family ensures that he’s not). To complicate matters further—especially when another murder victim emerges—the police captain is Mary Beth Swann, who took over her husband’s law enforcement role when he shipped out to the South Pacific. Being a female police officer was already challenging enough; Mary Beth, originally from Boston, also has to tolerate the disrespect of the island’s inhabitants. What elevates this intriguing story—comparisons with television’s always engaging Foyle’s War are inevitable—are the wonderfully delineated specifics of the location and characters. This island may be fictional, but it’s drawn directly from the author’s experiences on Nantucket, and each of the characters sparkles with their own vitality, including the town’s brothel madam, the Acadian short-order cook missing two fingers, a visiting gangster, and the nearly 90 Italians waiting out the war in a remote corner of a foreign land.

Sharply drawn characters, a “locked-room” location, and a tension-filled WWII setting illuminate this wartime thriller.

Pub Date: Oct. 25, 2022

ISBN: 978-1-950539-60-4

Page Count: 256

Publisher: Dzanc

Review Posted Online: Aug. 16, 2022

Kirkus Reviews Issue: Sept. 1, 2022

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE FOUR WINDS

For devoted Hannah fans in search of a good cry.

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The miseries of the Depression and Dust Bowl years shape the destiny of a Texas family.

“Hope is a coin I carry: an American penny, given to me by a man I came to love. There were times in my journey when I felt as if that penny and the hope it represented were the only things that kept me going.” We meet Elsa Wolcott in Dalhart, Texas, in 1921, on the eve of her 25th birthday, and wind up with her in California in 1936 in a saga of almost unrelieved woe. Despised by her shallow parents and sisters for being sickly and unattractive—“too tall, too thin, too pale, too unsure of herself”—Elsa escapes their cruelty when a single night of abandon leads to pregnancy and forced marriage to the son of Italian immigrant farmers. Though she finds some joy working the land, tending the animals, and learning her way around Mama Rose's kitchen, her marriage is never happy, the pleasures of early motherhood are brief, and soon the disastrous droughts of the 1930s drive all the farmers of the area to despair and starvation. Elsa's search for a better life for her children takes them out west to California, where things turn out to be even worse. While she never overcomes her low self-esteem about her looks, Elsa displays an iron core of character and courage as she faces dust storms, floods, hunger riots, homelessness, poverty, the misery of migrant labor, bigotry, union busting, violent goons, and more. The pedantic aims of the novel are hard to ignore as Hannah embodies her history lesson in what feels like a series of sepia-toned postcards depicting melodramatic scenes and clichéd emotions.

For devoted Hannah fans in search of a good cry.

Pub Date: Feb. 9, 2021

ISBN: 978-1-2501-7860-2

Page Count: 464

Publisher: St. Martin's

Review Posted Online: Nov. 17, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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