by Michael P. Amram ‧ RELEASE DATE: May 16, 2017
A book that offers affecting early memories but too often gets bogged down in explaining later history.
Amram (Finding Me—and Them, 2017, etc.) delivers a memoir on his childhood in the thick of the anti-Vietnam War movement.
This work is at once a political history of the anti-war left in Minnesota—spearheaded by the rise of U.S. Sen. Eugene McCarthy—and a nostalgic look back at Amram’s childhood in a politically active household. On the historical side, Amram provides readers with background on the United States’ increasing involvement in the Vietnam War and the political machinations that led to military escalation. He also delineates the formation and development of the Minnesota Democratic Farmer-Labor Party, which eventually became part of the left wing of the national Democratic Party. These two stories dovetail in the lead-up to the infamous 1968 Democratic National Convention, in which the DFL attempted to help propel McCarthy to the presidential nomination and put an anti-war resolution on the party’s plank. Following Vice President Hubert Humphrey’s nomination and the Democrats’ eventual loss, the author chronicles the nation’s continued anti-war activism, up to the 1972 presidential election. Amram grew up as the adopted son of two Minnesota political organizers, Barbara and Fred Amram, who were heavily involved in the movements he describes; he offers readers his reminiscences of their work and how it influenced his political awakening. The book also covers his recovery from an accident that left him comatose for six weeks and his extensive physical rehabilitation. Amram’s prose shifts between cleareyed history and poetic memoir, but he doesn’t quite find a balance between the two. The history sections, though compelling, can become repetitive, restating facts and events and overusing lists of voting results. However, the book is most successful when Amram focuses on the ineffable qualities of his early years: “We worshiped the echoes of our summers, trying to stretch the evenings out until school began again.” In these moments, he highlights singular moments of his childhood, from neighborhood games that he invented as a child to idyllic summers that he spent at the family’s cabin.
A book that offers affecting early memories but too often gets bogged down in explaining later history.Pub Date: May 16, 2017
ISBN: 978-1-939548-71-9
Page Count: 202
Publisher: Wisdom Editions
Review Posted Online: Oct. 25, 2017
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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