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THE MURDER RUN

From the Travelers series , Vol. 6

The author alters the stakes in this entertaining con artist tale and brings his characters full circle.

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This sixth installment of a series finds the Traveling Man grifting alone while his partner enjoys a normal life.

The Traveling Man, a career con artist, is using the name Tony Rogers while in Mitchellville, Maryland. His wife, continuing under the alias Nicole, has opted for semiretirement with millionaire James Denison in San Francisco. Tony flies without his usual backup into the midst of lawyer Jerry Chen, National Defense Agent Paul Robertson, and several other conspirators who have stolen NGO aid funds from Kyrgyzstan. Chen plans to break into the safe of Clemens, the conspirator holding key bank account codes, to protect himself from being offed by someone killing members of the group. The attorney contacts Missy Grey, a player who calls Tony to crack the safe. The heist goes well until someone murders Duke and Barker, Tony’s partners, making it personal. Meanwhile, in San Francisco, Nicole battles the boredom of living straight by taking on Lily Crockett, a young apprentice criminal. Together they flirt and drink with men and joyride in stolen cars. But when Lily attempts a solo adventure, the callow con doesn’t escape the attention of her marks. They steal her purse and threaten to unravel her life, which forces Nicole to step in. In this latest volume of The Travelers series, King (The Kidnap Victim, 2018, etc.) maintains his svelte, addictive style despite a touch of nostalgia for his characters’ early days. As Nicole reminds Tony, “Money spends better when you have to steal it.” Denison can’t quite douse Nicole’s grifting fire, and she frequently tells him not to worry (“Just relax. This isn’t Cricket Bay”). The plot’s main thrill is seeing Tony in action alone among a half-dozen greedy backstabbers. There’s fresh tension here, as the author eventually proves that his con has “that old happiness” with Nicole and is “one step better than he was on his own.” From the elegiac tone, readers may suspect disaster in the final pages. Or will events leave the Travelers prepped for either the quiet life or another thrilling mark?

The author alters the stakes in this entertaining con artist tale and brings his characters full circle.

Pub Date: Jan. 18, 2019

ISBN: 978-0-9993648-5-7

Page Count: 190

Publisher: Blurred Lines Press

Review Posted Online: Jan. 9, 2019

Kirkus Reviews Issue: March 1, 2019

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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