The Monty Python veteran’s debut novel is a slight but engaging oddity: an affectionate portrait of a shy and disappointed man who’s obsessed with Ernest Hemingway. Pale, rash-prone Martin Sproale has worked at the Theston post office for the past 16 years. He maintains a chaste flirtation with his colleague Elaine, and is unfailingly polite to the eccentrics and busy-bodies who swarm in on a daily basis. The only question is: When will his boss retire, leaving Martin to ascend to the coveted position of Postmaster? While he waits, Martin comforts himself by nursing his quasi-secret obsession: He devours biographies of his hero, savors trivia, packs his room with Hemingway memorabilia. But Martin’s staid routine gets shaken. His professional ambitions are dashed when a young man from central headquarters is sent to manage his post office. And another Hemingway enthusiast arrives in his somnolent seaside town: Ruth Kohler, on sabbatical from a New Jersey university, is holed up at a local farmhouse, writing a book about Hemingway’s women. The work situation rapidly degenerates: The new boss is keen on modernization, and indifferent to the role that the post office has traditionally played in the community. Longtime clerks are fired, computers are installed, finally the office itself is moved out of its grand headquarters and into the back room of a candy shop. Martin’s only consolation is the attractive scholar: The two of them drink grappa, argue over the relative merits of the master’s works, and get down to some serious flirtation. Egged on by Ruth, Martin attempts to organize resistance to the post office changes, and is unceremoniously fired. Boozy rampages, manic schemes, and some self-discovery ensue as the timid postal clerk gets in touch with his inner Ernest. The pairing of gentle satire and dead-on description of raw human pain is a bit disconcerting, but in all, Palin offers a lively, if slight, ride to nowhere in particular. (Author tour)
Pub Date: May 25, 1998
ISBN: 0-312-18593-6
Page Count: 288
Publisher: Dunne/St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1998
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
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"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
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