GOOD TO GRAVE

A young woman signs her soul away to a mysterious company in Park’s horrific fantasy novel.

Josie Morris’ life is falling apart. Her uncle just had a heart attack, the lease on the apartment she shares with her girlfriend is about to run out, and she can’t find a job; it won’t be long before her checking account is empty. Driven by these stressors, she accepts a position at a megacorporation called Eburos despite a disastrous interview involving a chalk drawing that somehow disappears and a woman with a shadow that moves before she does. Josie writes off the strangeness—she figures she’s had holes in her memory since her dad died, and that these are probably just stress-born illusions. The signing over of her soul during orientation? She must have imagined that, too. But now she’s being led to a building under a cemetery, there’s a magical flute made of bones, and everyone is calling her Grace. The further she gets into her new role, the more she learns the eerie truth about what Eburos is really up to. The novel’s plot can’t be explained in too much detail without spoiling things—the fun comes from trying to figure out what’s happening. Park masterfully plays with the story’s tension by weaving in different media throughout: There are posters in the common kitchen area reminding people to remove any “disciplinary residual limbs” from the fridge; a snapshot from an interview with an employee who is glad to “participate in true disruptive immolation”; and pages from the company handbook explaining that the terms “slave” and “thrall” are prohibited. Josie is a likable main character; the reasoning behind her motives can sometimes be iffy, but this rarely detracts from the overall reading experience.

A fast-paced and fun read that will keep readers wondering what will happen next.