Smart writing undone by an overly engineered conceit.
Two hard-luck cases come together in West Texas over a homely but storied 1984 Buick Electra.
The latest novel by the veteran Parker (creative writing/UNC-Greensboro; The Watery Part of the World, 2011, etc.) shifts between Marcus, who’s arrived in Pinto Canyon from North Carolina, and Maria, who’s returning home from the Northwest to reconnect with her mother. Marcus has hit the skids badly, losing his family’s land through a poorly considered nature center dedicated to carnivorous plants, while Maria still bears the emotional scars of a teenage abortion and her boyfriend’s suicide. The two meet in a used-car lot, where the light blue Buick fires dreams of redemption in both. Soon, they arrange a co-ownership deal for the car. Maria’s mother is aghast that she purchased a car with a total stranger; her act will strain credulity for the reader as well. Parker means to show how inanimate objects can be surprisingly emotional touchstones in our lives; brief interludes trace the Electra’s travels through the years, from the assembly plant to car carrier to a handful of owners. These set pieces bring some welcome color and humor to the novel, particularly in the case of an Ohio schoolteacher who errs in loaning out the car for a homecoming parade. But though Parker is an assured and emotionally sensitive writer, this novel is imprisoned by its preposterous setup. Parker needs a lot of room to cycle through his protagonists’ thinking behind their irrational decision, which diminishes the impact of the novel’s closing reconciliations. As Maria works to reconnect with her estranged mother, Marcus is doing much the same with his estranged sister, and parallels like those make the novel feel too tidily structured for what strives to be a tale about surviving cruel, random fate.
Smart writing undone by an overly engineered conceit.Pub Date: March 11, 2014
ISBN: 978-1-61620-162-3
Page Count: 320
Publisher: Algonquin
Review Posted Online: Dec. 14, 2013
Kirkus Reviews Issue: Jan. 1, 2014
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Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
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BOOK REVIEW
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