Overall: solid, carefully composed glimpses into domestic dysfunction.
A collection chock-full of breakups and breakdowns—just about everybody here is in the midst of a downward spiral or unwittingly beginning one.
But that’s not to say that these latest stories by Parker (If You Want Me to Stay, 2005, etc.) are all downers. Though many of the men he writes about (and they are mostly men) have slipped into alcohol, drugs or just garden-variety dissolution, his prose is efficient and Carver-esque, with little moral posturing. And he has a sense of humor: One story, framed as a term paper by a mediocre college student, devolves from an earnest attempt to parse the meaning of a novelty hit into a rant about a split with a boyfriend to a lecture about the professor’s own prejudices; its wild discursiveness gives the story both depth and a comic lift. The best are empathetic but clearheaded portraits of folks who’ve hit the skids: The narrator of “The Right to Remain” is well aware of how drinking has wrecked his relationships but can’t bring himself to stop stalking his ex, and the narrator of “What Happens Next” is constantly shadowed by the memory of how his grandmother died on his watch when he was a reckless teen. And the finest piece in the collection, “Go Ugly Early,” neatly captures two decades of domestic worry and regret in a mere 20 pages—if the narrator had only had one or two fewer drinks, he wonders, would he have wound up with the right woman instead of the one he married? Parker knows his characters deeply, has his style down and isn’t budging from his chosen theme, so any flaws here are mainly matters of execution. A story in which a reconciling couple go gem-mining is almost hackneyed in plot and setting, and “Everything Was Paid For” is an overlong and unconvincing tale of a crank addict’s increasing confusion about his—and his girlfriend’s—loyalties.
Overall: solid, carefully composed glimpses into domestic dysfunction.Pub Date: Jan. 26, 2007
ISBN: 1-56512-485-5
Page Count: 288
Publisher: Algonquin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2006
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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