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THE WATERY PART OF THE WORLD

A vividly imagined historical tale of isolated lives.

The outer banks of North Carolina is the setting for two darkly linked tales spanning 150 years, both inspired by real-life events: the disappearance of disgraced former vice president Aaron Burr's daughter after her ship is battered by a storm off the Carolina coast—and possibly taken over by pirates—and the evacuation of a tiny island by its last three townspeople, including two elderly female descendents of Theodosia Burr Alston.

Theo, as she is known, is on her way to New York in 1813 to visit her father, whom she is determined to clear of treason charges, when fate intervenes. In Parker's visionary, feverish telling, she washes up on a beach where a hermit called Old Whaley nurses her to health, builds her a shelter and ultimately becomes her partner. Many decades later, in the 1970s, her great-great-great-great grandchildren, Maggie and Whaley, are looked after by Woodrow Thornton, a black man who lost his wife to Hurricane Wilma. Out of his commitment to the women, and out of guilt for leaving his beloved Sarah on the island the day of the storm while he did business on the mainland, he has refused to abandon the hurricane zone like so many others. The mainland has long been cursed for Maggie, whose obsession with a younger man who abandoned her led her into madness when she pursued him. The long shadow of slavery adds haunting resonance to this powerful, lyrically penetrating novel, the title of which has as much to do with the liquidity of history, identity and storytelling as it does with oceans and storms. Parker invokes magic as well as mystery in exploring the ways the past not only haunts the present but in some ways anticipates it. Like Faulkner and O'Connor, Parker creates a place of beauty and complexity which, in the end, one is reluctant to leave.

A vividly imagined historical tale of isolated lives.  

Pub Date: April 26, 2011

ISBN: 978-1-56512-682-4

Page Count: 272

Publisher: Algonquin

Review Posted Online: Dec. 29, 2010

Kirkus Reviews Issue: Jan. 1, 2011

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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CIRCE

Miller makes Homer pertinent to women facing 21st-century monsters.

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A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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