ROAR

Intense hues light up a prehistoric parade.

It’s really all about the colors. The endpapers are twinned head-shot galleries captioned, in the front, with scientific names (“Tyrannosaurus rex”) and pronunciations and, in the rear, translations of same (“Tyrant Lizard King”). In between, Paul marches 18 labeled dinos—mostly one type per page or spread, all flat, white-eyed silhouettes posed (with occasional exceptions) facing the same way against inconspicuously stylized background. The text runs toward the trite: “Some dinosaurs were fast… / and other dinosaurs were slow.” But inspired by the fact that we know very little about how dinosaurs were decorated (according to a brief author’s note), Paul makes each page turn a visual flash. Going for saturated hues and vivid contrasts rather than complex patterns, he sets red-orange spikes like flames along the back of a mottled aquamarine Kentrosaurus, places a small purple-blue Compsognathus beneath a towering Supersaurus that glows like a blown ember, pairs a Giganotosaurus’ toothy head and crest in similarly lambent shades to a spotted green body, and outfits the rest of his cast in like finery. “Today you can see their bones at the museum,” he abruptly, inadequately, and simplistically concludes.

There’s not much beyond the razzle-dazzle, but it’s got that in spades.