An emotional and educational set of works that will successfully increase awareness of issues involving colonialism and...
A worthy debut collection of poems reflecting upon Yukon First Nations peoples’ relationships with the land and with those who mistreat the land and its residents.
Pealow, a self-described “settler” in the Yukon region, guides his work, which he calls “Reflections on the Decolonization of Self and Systems,” with a deep sense of respect for nature and human life. He tackles his themes in seven sections, starting with “States of Disconnect” and finally arriving at “Reciprocity,” which the author defines in the titular poem as “Feeding that which feeds you” with “Small acts of appreciation /… / To the spirits that flow through this land.” Some poems express the contrasting perspectives of large corporations and locals, as in “Receptivity,” which clearly gets across its message in few words: “We are adhering to high environmental standards. / You are talking about how to rape the land more gently.” Other poems entertain with humor while making their points; “The Moskitter,” for instance, is a sharply funny poem about a Texan who comes to the Yukon with big guns to hunt big game—and encounters very big mosquitoes. Still other works force readers to examine their own beliefs about land and nature; “All-Consuming (The Little Colonial Engine That Could),” for example, nods to a familiar children’s story as it asserts that “greed comes from need.” Key questions are scattered throughout Pealow’s work, all worthy of engagement: “By what authority is this your land? / Who can own the land? / How can you own that which owns you?” Several works clarify the theme of respecting nature: “Here, the land speaks. / The trees tell a story.” Overall, Pealow skillfully uses a variety of poetic devices and forms to effectively address systemic constructs—not only in Canada, but all over the world.
An emotional and educational set of works that will successfully increase awareness of issues involving colonialism and environmentalism.Pub Date: N/A
ISBN: 978-1-5255-9305-5
Page Count: 143
Publisher: FriesenPress
Review Posted Online: Nov. 15, 2021
Review Program: Kirkus Indie
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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