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MONTAIGNE IN BARN BOOTS

AN AMATEUR AMBLES THROUGH PHILOSOPHY

Readers will learn plenty about Montaigne and more about Perry.

The essays of Montaigne spark midlife reflection by the rural Wisconsin–based author.

With a kidney stone as a shared affliction, Perry (The Jesus Cow, 2015, etc.) discovered an unlikely affinity with the French aristocrat, a shared humanity and spirit of discovery that bridge centuries, continents, and cultural differences. “You read Montaigne, you feel like you have a friend,” writes the author, and so readers are likely to feel about Perry, who has often drawn from his small-town life with self-deprecating humor and Midwestern common sense. That same spirit permeates his scattershot reading of Montaigne, a body of work he approaches without anything resembling academic rigor; he mainly allows one thing to lead to another, from Montaigne to commentaries on Montaigne to meditations on the author’s own life. “The desire to write about Montaigne puts me in heavy traffic on a tricycle,” writes Perry. It’s an image he likes so much that he later uses it to suggest his own limitations as a writer: “When I crack and read two pages of Dylan Thomas or Zora Neale Hurston, I understand that I am in the Tour de France on a tricycle.” Yet Perry’s refreshing candor, the essence of the personal essay, serves him well, as he opens his soul about his depression and anxiety, his marriage, his health (and hypochondria), and his recognition of the gulf between the persona he presents as a writer and performer and the person he knows (or suspects) himself to be. Though he supports himself by writing for money, and need make no apology for that, his aim here seems more like a soul-cleansing confession, like a writer talking to himself about the issues that concern him most. As he explains of his reading of Montaigne, “we only come to understand ourselves over time and then never fully. He was less interested in drawing conclusions about himself than having a conversation with himself. The dialogue would end only in death.”

Readers will learn plenty about Montaigne and more about Perry.

Pub Date: Nov. 7, 2017

ISBN: 978-0-06-223056-0

Page Count: 240

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 19, 2017

Kirkus Reviews Issue: Sept. 1, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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