Hits the gross-out sweet spot.
Readers with a soft spot for gross-out humor will find plenty to keep them gagging in Rex’s latest novel (Fangbone! Third-Grade Barbarian, 2012) for the early-middle-grade set.
Told through a combination of vignettes about Ricky’s icky escapades and such “Time-Saving Tips” as how to turn toothpaste into a tasty sandwich spread, this novel is a fast-paced, enjoyable read—but not for the faint of heart. From earwax to booger bubbles to mango, french-fry and fish-stick soup, the ick-factor bar is set high. It is raised even higher by illustrations that capture Ricky in all his gross glory. And with the exception of one chapter in which Ricky stands up to the town bully, gross is what this book is all about. While there is nothing particularly new or clever about this series opener, Rex fans eager for another dose of his trademark brand of humor will walk away satisfied. Certainly there are young girls who might get a kick out of the image of Ricky turning in homework on a piece of cheese or crafting a bicycle helmet out of a watermelon, but the antics of the predominantly male cast of characters will most likely appeal to young boys. The format of the novel, with its numerous illustrations and short chapters, also makes it a good bet for reluctant readers.
Hits the gross-out sweet spot. (Fiction. 8-12)Pub Date: May 28, 2013
ISBN: 978-0-307-93167-2
Page Count: 128
Publisher: Random House
Review Posted Online: March 12, 2013
Kirkus Reviews Issue: April 1, 2013
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...
A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.
Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.Pub Date: Oct. 15, 1952
ISBN: 978-0-06-026385-0
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: Oct. 1, 1952
PERSPECTIVES
SEEN & HEARD
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...
Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.
Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)Pub Date: Sept. 13, 2016
ISBN: 978-0-545-54061-2
Page Count: 256
Publisher: Scholastic
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
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