by Michael Sallah ; Mitch Weiss ‧ RELEASE DATE: Jan. 6, 2015
Beyond the political implications and entanglements, the story engrosses with its fast-paced, plainspoken narrative.
A nonfiction account of an unlikely American hero in revolutionary Cuba that succeeds as both a thriller and a love story.
While working at the Toledo Blade, Miami Herald reporter Sallah and AP reporter Weiss shared a Pulitzer Prize (with another of the Blade’s reporters) for a series on Vietnam War atrocities that they expanded into their first book (Tiger Force, 2006). They also met a remarkable woman living in Toledo, a Cuban émigré and former political prisoner whose story inspired another newspaper series and this book. When she was Olga Maria Rodriguez, she had fallen in love with and married a man who initially didn’t even speak her language, an American named William Morgan who had found purpose in his difficult, directionless life by joining the revolutionary forces in Cuba to overthrow Fulgencio Batista. His experience in the U.S. Army had ended with him going AWOL, but his superior military skills helped him overcome the distrust of his Cuban comrades and earn the admiration of the country’s citizenry, who were “hailing him as a hero of a revolution that was about to change the course of history.” Yet there was tension in the revolutionary forces between Morgan’s Second Front and Fidel Castro’s 26th of July Movement, as the former remained committed to liberating the country and holding elections while the latter was consolidating power and turning the new government into a communist dictatorship. Even greater complications ensued as Morgan was recruited for a plot to assassinate Castro, turned double agent by revealing the plot to the targeted dictator while continuing to play along, and ultimately found himself stripped of his American citizenship and imprisoned by the Cuban government. His widow’s memories help humanize a complicated and conflicted man whose story sheds fresh light on the pivotal period in U.S.-Cuban relations.
Beyond the political implications and entanglements, the story engrosses with its fast-paced, plainspoken narrative.Pub Date: Jan. 6, 2015
ISBN: 978-0-7627-9287-0
Page Count: 288
Publisher: Lyons Press
Review Posted Online: Nov. 3, 2014
Kirkus Reviews Issue: Nov. 15, 2014
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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