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WRECK OF THE CARL D.

A TRUE STORY OF LOSS, SURVIVAL, AND RESCUE AT SEA

A signal contribution to nautical Americana.

Nonfiction veteran Schumacher (Mr. Basketball, 2007, etc.) gives a graphic account of a 50-year-old maritime disaster.

On November 18, 1958, the limestone carrier Carl D. Bradley suddenly sunk to the bottom of Lake Michigan in fierce weather. Only two sailors from its crew of 35 survived after the huge vessel, more than 600 feet from bow to fantail, broke in half amidships. Launched in 1927, the hardworking ship was weather-beaten, rusty and popping rivets. But it was never determined whether the calamity was due to delayed maintenance or the captain’s faulty judgment. It might have been the rush to make port with a massive load that provoked the catastrophe, suggests Schumacher, who wrote of a similar disaster on Lake Superior in Mighty Fitz (2005). He details Carl D.’s sinking with articulate dispatch and sympathetic directness. The major part of his engrossing text concerns the mariners who went out and never returned, their families, the two survivors, the people of Rogers City, Mich. (the boat’s home port, where most of the crew lived) and the rescue teams from other nearby maritime towns. Rescue gave way to recovery efforts, then to wakes, an inconclusive Coast Guard Board of Inquiry and, most recently, exploratory visits to the broken ship resting in 350 feet of water. Moving this narrative smoothly and vividly through a half-century, the author lays claim to the title of master popular chronicler of Great Lake shipwrecks. Endmatter includes a necrology of crewmen, material from the Coast Guard inquiry and a superfluous glossary.

A signal contribution to nautical Americana.

Pub Date: Nov. 1, 2008

ISBN: 978-1-59691-484-1

Page Count: 272

Publisher: Bloomsbury

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2008

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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