A fan’s notes, and probably for fans only given the clash of eras.
Appreciative biography of the original insult comic.
Born in 1926, Rickles grew from a shy boy to a man who, fearless on stage, would “lock on someone in the audience before verbally assaulting his prey, firing his insults in tommy-gun fashion, rat-tat-tat, crossing ethnic, gender, and religious lines.” By the end of his long career, which ended with his death at the age of 91 in 2017, that style of comedy was broadly considered racist, sexist, and every other kind of -ist—and for good reason, writes longtime New York Post reporter and editor Starr. After all, one of his latter-day jokes went, “President Obama is a personal friend of mine. He was over to the house yesterday, but the mop broke.” For all that, even those whom he assailed very late in his life, in a different time, were apt to forgive him as an equal-opportunity offender. As one reporter wrote, by way of posthumous summation, Rickles’ career began in the distant past, “when racist and sexist broadsides delivered by white male comedians were OK, and he got grandfathered in for the remainder.” Whether that will make this biography palatable to younger readers is questionable, but even if Rickles was out of step with the times, he stuck to his act and continued to crack up the old-timers on late-night TV and in countless celebrity roasts. Starr charts Rickles’ long rise to fame, which accelerated from Borscht Belt to stardom once he insulted Frank Sinatra, who laughed instead of busting him in the chops. A junior member of the Rat Pack thereafter, Rickles was a familiar in mob-era Las Vegas, an experience that served him well when he was booked for a part in Martin Scorsese’s film Casino. Characteristically, he returned the favor by telling the diminutive director, “When you direct me, Marty, could you stand on a chair so I can see you?”
A fan’s notes, and probably for fans only given the clash of eras.Pub Date: Oct. 25, 2022
ISBN: 978-0-8065-4172-3
Page Count: 320
Publisher: Citadel/Kensington
Review Posted Online: Aug. 15, 2022
Kirkus Reviews Issue: Sept. 1, 2022
BOOK REVIEW
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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