Thought-provoking and well-honed examination of deep questions.
Imagine there’s no Heaven (as John Lennon suggested): what, then, is the foundation for morality?
Skeptic magazine editor Shermer (In Darwin's Shadow, 2002, etc.) seeks to answer that question and to discover a scientific explanation for our notions of good and evil. He quotes Darwin to the effect that all scientific observation must be either for or against some point of view and avers his own viewpoint to be “non-theistic agnosticism”: the decision that, since God’s existence is unprovable, he will live and act as if there is no God. The origins of morality and ethics, common to every society on Earth, must then lie in human institutions, Shermer concludes. Over hundreds of thousands of years, our ancestors arrived at moral principles designed to maintain peace and order in communities of ever-increasing size and complexity. The earliest “moral” principles are those that many animals recognize, such as protecting one’s mate or young. As human society grew, the needs of larger and larger groups became the basis of morality; at the center of many of them lies something like the Golden Rule, treating others as we would wish to be treated. At the same time, early superstitions coalesced into religions, each of which took on the role of sanctioning the moral principles of its parent society. Shermer goes on to argue that evil has no independent existence but is inherent in human nature. Yet no outside authority is needed to make us moral, he argues; atheists (or temporary doubters) seem no more inclined to kill and steal than the religious. The true dignity of our morality arises from its basis in our common humanity. Shermer draws effectively on familiar instances, from the Columbine killings to the Holocaust, to illustrate and support his thesis.
Thought-provoking and well-honed examination of deep questions.Pub Date: Feb. 2, 2004
ISBN: 0-8050-7520-8
Page Count: 416
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2003
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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