by Michael Stephenson ‧ RELEASE DATE: May 22, 2012
A first-rate addition to the military history canon.
A military history about the central fact of all wars: death in battle.
Stephenson (Patriot Battles: How the War of Independence Was Fought, 2007) begins with the prehistoric era, when warfare consisted of clashes between hunting tribes. Not surprisingly, early tactics were closely allied to the techniques of hunting: ambush of lone enemies or small bands, with little of what we think of as military strategy. That approach to warfare has survived into modern times, especially in conflicts where the resources of the forces involved are disproportionate, as in colonial or insurgent wars. What we would recognize as battles between organized armies arose with civilization, and from the beginning a distinction was made between weapons that strike from a distance and those requiring contact with the enemy: arrows versus swords, for example. Stephenson traces the tension between the modes of warfare dictated by these weapons, and their effect on combatants, working from both archaeological evidence and written sources. The result is a far-reaching overview of the visceral experience of soldiers in battle. The description of wounds is graphic; patriotic propaganda to the contrary, death in warfare is rarely sweet or decorous. Some widely held beliefs about what kills men in war may need revision; artillery, rather than machine guns, was the main killer in World War I, for example, and booby traps and mines have dominated American casualty lists since Vietnam. Stephenson includes close looks at the soldier’s experience in Iraq and Afghanistan and offers the viewpoints of German, Russian and even a few Japanese soldiers in the World War II sections. An interesting appendix covers the development of military medicine. Throughout the book, the author is evenhanded, clear and consistently illuminating; even those well-read in military history are likely to learn something new.
A first-rate addition to the military history canon.Pub Date: May 22, 2012
ISBN: 978-0-307-39584-9
Page Count: 480
Publisher: Crown
Review Posted Online: March 18, 2012
Kirkus Reviews Issue: April 1, 2012
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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