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DANGER PEAK

A compelling bildungsroman about grief and finding wisdom.

In Perone’s 1980s-set novel, a young man grieves for his brother, embarks upon a dangerous adventure, and gains maturity.  

After his brother, Danny, dies while biking the 12,000-foot Danger Peak, 13-year-old Robert Kin has one goal: to bike the peak himself. Robert, along with his friends Chris and Rinnie—motorbiking members of the Wild Boars—prepare what they call “The Action Bike” for their adventure. To do so, they must obtain tools and tires from Robert’s critical, authoritarian father as well as two items that their eccentric science teacher, Dr. Forrest Howard, invented. Specifically, they need Danny’s turbocharger and the mad doctor’s new laser, designed to shatter rocks. However, they learn that the challenge not only involves the bike’s mechanics and finding technology to beat nature; it’s about developing relationships and making important life choices. In the prologue, Perone immediately engages the reader with Robert’s first ride through his neighborhood as well as with references to 1980s music, television, history, and culture. It’s clear from the start how the young protagonist sees the world after Danny’s death, and readers can taste the freedom of adolescence as the Wild Boars emulate chase scenes from CHiPs and plan like the title character of MacGyver to get what they want. That said, there are moments when the connection between Robert and his father lacks believability, and some of the scenes seem to escalate too quickly. Also, the author’s use of flashbacks sometimes has the effect of taking the reader out of the adventure; this is also true when the third-person point of view switches to Robert’s father’s perspective instead of Robert’s. Overall, though, Perone’s debut novel is reminiscent of Chris Crutcher’s Ironman (1995), presenting an engaging, throwback coming-of-age tale.

A compelling bildungsroman about grief and finding wisdom.

Pub Date: June 14, 2022

ISBN: 978-1-62787-950-7

Page Count: 195

Publisher: Wheatmark

Review Posted Online: Aug. 30, 2022

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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