by Michael Tomasky ‧ RELEASE DATE: Sept. 6, 2022
A provocative, welcome platform for wresting economic conversations away from the moneyed class.
Political journalist and Democracy editor-in-chief Tomasky delivers a strong argument for Democrats to take the lead in articulating middle-class–boosting economics.
Democracy, freedom, and economic justice are the hallmarks of America’s conception of itself. “They are inseparable,” writes the author. “It is up to the Democrats to defend all three. And they must see this as not three fights but one. It’s Republican doctrine that the market must be free and unregulated, which works supremely well “for those with the means to eat at high-end locavore restaurants or purchase the right to skip the lines at Disney World.” For the rest of society, the market goes hand in hand with Republican resistance to social spending programs such as the American Rescue Plan, which, though carrying a staggering $1.9 trillion price tag, came in at a lower percentage of GDP than Franklin Roosevelt’s “broadly popular” New Deal programs. Tomasky notes that public investment grows the economy, and it addresses both aspects of ordinary economic thought, which has both a fiscal and a moral dimension. Chalk the Republican program up to the likes of Milton Friedman, whose influence over economics Tomasky calls “deeply unfortunate” and who had strange ideas that continue to hold sway over a certain element of the political class (including the fact that “he was against national parks”). Whereas some level of inequality is inevitable in a noncommand economy, the current fiscal structure rewards the rich at the expense of the rest. The author urges that a Democratic brand of economics requires a good name, one that doesn’t include the prefix post- (“if you’re still using ‘post,’ you don’t have a movement”) and that advances the idea that “prosperity is built from the middle out”—i.e., founded on a strong middle and working class, repudiating the false notions that taxes are bad and greed is good.
A provocative, welcome platform for wresting economic conversations away from the moneyed class.Pub Date: Sept. 6, 2022
ISBN: 978-0-385-54716-1
Page Count: 304
Publisher: Doubleday
Review Posted Online: June 24, 2022
Kirkus Reviews Issue: Aug. 1, 2022
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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by Shavone Charles ; illustrated by Ashley Lukashevsky
by Leo Baker ; illustrated by Ashley Lukashevsky
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