Not at all the usual actor’s memoir, but a simple toast to eating, drinking and innocent merriment in old Umbria.
Devoted foodie Tucker (I Never Forget a Meal, 1996) and wife Jill Eikenberry, both veteran actors familiar for their stints on L.A. Law and elsewhere, find a second home in the heart of the Italian peninsula.
Near Monteluco in Umbria, a stone cottage called Rustico was comfortably settling deep into its fourth century when the couple first saw it. They traveled there several times in one year to partake in the Umbrian way of life, then bought Rustico, sold their West Coast place and established transatlantic housekeeping in New York and central Italy, whose culture they enjoyed sharing with friends and family. After remodeling their 13th marital residence (doubling its size with an addition that matched its stone walls and brick tile floors), they purchased furnishings and contemplated acting opportunities when not rusticating. There was much partying with colorful new friends and dear old ones, but the principal pleasures at Rustico were founded on the Italian genius for food. Tucker recalls shopping for truffles and pasta, the joy of home cooking and the hunt for authentic eateries. He extols the local tartufo, grappa and pork. He describes visits to butchers and building fires at home for suckling pigs and marinara pizzas, fondly detailing all the preparations. His delight in performing as chef is evident, as is his affection for his wife, family and friends, as well as for a favored district in the middle of Italy.
Not at all the usual actor’s memoir, but a simple toast to eating, drinking and innocent merriment in old Umbria.Pub Date: July 1, 2007
ISBN: 978-0-87113-962-7
Page Count: 272
Publisher: Atlantic Monthly
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2007
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
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BOOK TO SCREEN
BOOK TO SCREEN
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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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