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RICHARD

DISTANT SON

Imaginative SF worldbuilding energizes the shopworn premise of an average kid destined for legendary deeds.

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An average Ohio teenager learns that he is the long-lost heir to a throne that unites all of the civilizations in the Milky Way galaxy in Hickman’s SF novel.

At the outset of the author’s galactic saga, a rather modest-appearing godlike figure (middle-aged, nondescript, wearing a “shabby” fedora) creates what is destined to be Earth. Billions of years later, the multi-species citizens of the Milky Way galaxy spacefaring galactic empire (which resembles the quasi-feudal worlds found in fantasy novels) only know Earth as a legend, a dreaded place to which the kingdom’s traditional enemies are banished. On Earth, Richard, an Ohio teen, receives news of his destiny as heir to the throne of the Milky Way. This startling revelation is conveyed first by Richard’s strange elderly neighbors, then by a talking sofa—a miracle-working guardian who shape-shifts into a gentle humanoid whom Richard dubs “AAL.” Richard is shown the unique and enigmatic DNA markers proving that he is indeed the lone descendant of the Plantagenet bloodline: heroic (mostly) defenders of all their varied subjects and a benevolent force throughout space. With a loyal “artificial life” duplicate of Richard duly created to take his place back home, the adolescent is taken by AAL to tour Krel, the capital planet of his kingdom—which turns out to be populated by many creatures from human myth and lore, including centaurs and winged horses. Here is the place Richard will wield absolute power once his training is complete. But as much as AAL seems to be Richard’s strongest advocate, mentor, and guardian, the boy suspect he is holding back information as the teen confronts the challenges, responsibilities, and pitfalls of finding himself a prophesied leader-messiah across a space-scape of billions of worshipful worlds (and yes, there is a Dune reference thrown in for the cognoscenti).

In its outline, this is the umpteenth update of the “chosen one” heroic fantasy as identified by mythology scholar Joseph Campbell, with forebears ranging from King Arthur to Harry Potter. Hickman’s distinction is the wealth of detail he brings to this narrative of the most vitally important person alive, a juvenile whose every word and whim has the force of law and dictates instant policy. Richard (who fortuitously is SF savvy) must negotiate a minefield of enemies, courtly intrigue, and diplomatic tangles, which the hero approaches with simple common sense and fairness. Readers assuming this to be milder YA fare should be warned that Richard’s virginity is one of the sacrifices he makes: “Since you are a fifteen-year-old with raging hormones and have had a taste of sex, it is unlikely you will stop. Once you have a taste of the honey, you will dare to venture to the hive again and again,” states AAL, accurately, when the act takes place—explicitly described, it may even surprise readers accustomed to taboos being overturned. The finale wraps things up nicely; it’s not a cliffhanger, but clearly sets up the next installment.

Imaginative SF worldbuilding energizes the shopworn premise of an average kid destined for legendary deeds.

Pub Date: July 6, 2022

ISBN: 9798985477733

Page Count: 491

Publisher: RedFoxOnHigh

Review Posted Online: April 14, 2023

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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POWERLESS

From the Powerless Trilogy series , Vol. 1

A lackluster and sometimes disturbing mishmash of overused tropes.

The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.

Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.

A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9798987380406

Page Count: 538

Publisher: Simon & Schuster

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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