RICHARD

Awaiting coronation as the long-lost, mighty king of the Milky Way, human youth Richard must dodge threats from deadly space enemies in Hickman’s sequel.

The title refers to a seemingly average teenager who carries the singular and irreproducible DNA of the spacegoing Plantagenet family, a humanoid alien dynasty who ruled and defended the many planets of the Milky Way galaxy more than 1,000 years ago. Back then, a usurper within the royal house murdered noble King Dolloff and his brethren before being assassinated himself. One survivor, the prince’s pregnant fiancee, found sanctuary on remote Earth—a “barbaric” place of dread and exile in galactic culture whose very existence is often doubted except as fearful folklore. Centuries later, in the present, Ohioan Richard is contacted by scattered supporters—including a resourceful and ever loyal Artificial Alien Life dubbed AAL, who enlightened the lad to his incredible bloodline. On the planet Krel, Richard was revealed as heir to the throne prematurely, and AAL had to place a duplicate with the lad’s oblivious family back in Ohio. The real Richard, in the galactic capital city before his coronation, must be a quick study in etiquette, diplomacy, policy, and virtual messiah-hood for billions of worshipful subjects. There are also enemies, such as the influential family of Sen. Spartacus, who want the youth killed to allow an elected democracy (in other words, Spartacus) to take control. Preparing novice Richard for his challenges includes granting superior abilities (such as teleportation) via accelerated evolution using the energy of a mystic black hole. However, these newfound superpowers are often beyond Richard’s control. Another unforeseen complication: the boy-king finding true love and passionate sex with Amber, a humanoid fox-creature from a planet called Beowulf, in a galactic culture that often marginalizes nonhuman creatures.

Hickman continues a multivolume saga that was launched with Richard: Distant Son (2022). Over the course of this novel, the author’s wide-ranging cosmology scrambles together elements of SF, high fantasy, and fairy tales; key alien species in the ensemble include such creatures as centaurs, satyrs, dragons, and winged horses. As noted above, readers should be prepared for xenosexual consensual relations as well as the fact that in addition to a healthy libido, Richard has an unusually active bladder for an SF adventurer; multiple scenes take place in his “privy” (a royal one, of course, that is guarded by a powerful AI). However, space-vulpine dating and mating tips and bathroom emergencies are only parts of the narrative, which never sits still. Amber’s single mother, Kit, happens to be a top reporter for the Galactic News Network, or GNN (not Fox News; the overall tone is not as satirical as that in a Terry Pratchett, Robert Asprin, or Jody Lynn Nye mock-epic). Assassination plots and lethal traps, grievous wounds, spaceship battles, heartache, tragedy, and miraculous resurrections comprise briskly paced episodes that alternate with scatological comedy, door-slamming farce, and demonstrations of Richard’s inherent kindness and nobility. The dialogue ranges from passably profound pronouncements to comic-book melodrama (“The beast let out an earth-shattering laugh. ‘Puny part-human, how dare you defy me’ ”).

A lively rumpus-room of mythology-tinged high-fantasy SF adventure.