A bright romp, with enough period detail and dialogue (“She was starting to get that puffy look dames do what drinks too...
Second-novelist Walsh (Exchange Alley, 1997) brings New York gangster Owney Madden (1892-1964) to life in a fictionalized biography.
Where else but in America could a fatherless immigrant boy work his way from neighborhood hooligan to mob kingpin in a single lifetime? As Irish as Paddy’s pig, Owney was born in Leeds, where his parents emigrated to earn their fare to America. His father never lived to make the crossing, however, and Owney came over with his mother, sister, and brother, settling in Hell’s Kitchen, where he started his career at ten by joining the Gophers (an Irish gang that terrorized the West Side). Owney figured out early that politics was the real game, and he became the protégé of Monk Eastman, a Tammany boss who ran the Jewish gang on the Lower East Side and taught Owney who to bribe, who to fleece, and who to rub out when the heat got too high. During Prohibition, Owney made a fortune selling beer, but when Dutch Schultz tried to corner the bootlegging market in Manhattan, Owney had to cut a deal and slice up the pie. It stuck in his craw, but he knew Prohibition wouldn’t last forever, so there was no point in spilling your guts over it. He branched out into show business, buying a defunct Harlem dance hall from heavyweight champion Jack Johnson and reopening it as the Cotton Club, producing shows on Broadway for his girlfriend Mae West, and making the rounds in Hollywood with pals like Walter Winchell and George Raft. Even after the FBI decided to shut him down for good, he worked out a deal and left town for Hot Springs, Arkansas, and lived peacefully to a ripe old age.
A bright romp, with enough period detail and dialogue (“She was starting to get that puffy look dames do what drinks too much, and her beam was most definitely broadening”) to fill ten Cagney films.Pub Date: Feb. 19, 2003
ISBN: 0-446-51815-8
Page Count: 432
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2002
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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