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SOUL CATCHER

Well-intentioned, but heavy-handed.

In White’s sixth novel (The Garden of Martyrs, 2004, etc.), a man captures a runaway slave and discovers moral qualms he’s been repressing for years.

Tracking people is Augustus Cain’s only marketable skill, but he isn’t eager to practice it anymore. The patriotic Southerner isn’t against slavery, but he dislikes the superior attitude of the wealthy plantation owners who hire him and the dangers of extracting black fugitives from the increasingly abolitionist North. Faced with a huge gambling debt and the threatened loss of his beloved horse, however, Cain reluctantly agrees to retrieve runaway Rosetta for her master, a tobacco planter named Eberly whose extreme insistence suggests “a more personal reason for wanting her back.” Judging Cain not too reliable, Eberly saddles him with three companions: the white-trash Strofe brothers and the psychopathic Preacher, who tries to rape Rosetta almost as soon as she’s caught. Like most of the other heavily foreshadowed events here, the resulting confrontation between Cain and Preacher occurs primarily to provide an impetus for Cain to acknowledge the horrors of slavery and his feelings for the proud, abused Rosetta, which make it impossible for him to return her to Eberly. Despite lots of backstory about his service in the Mexican War and love for a peasant girl who was killed for sleeping with a gringo, Cain isn’t an interesting enough character for his moral awakening to be terribly compelling. Rosetta too is sketched in very broad strokes, and Eberly is a cartoon villain. The author has nothing new to say about slavery or the mixed motives of those who supported it, though that doesn’t prevent White from indulging in long passages that explain Cain’s shifting perspective rather than dramatizing it. It’s all as obvious as the protagonist’s surname. An epilogue that shows Cain on the eve of the battle of Antietam is almost offensive, suggesting that loving Rosetta changed nothing essential about him.

Well-intentioned, but heavy-handed.

Pub Date: Sept. 2, 2007

ISBN: 978-0-06-134072-7

Page Count: 384

Publisher: Morrow/HarperCollins

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: June 15, 2007

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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