The hunt for a mysterious yellowwood box becomes a Capetown teenager's quest for identity in this busy story from the author of Crocodile Burning (1992). Jay's grandfather has died, leaving no explanation of why, ten years earlier, he suddenly disappeared, abandoning his family and a prosperous business. In hopes of an answer, Jay gathers an assortment of companions, including Levi, a secretive 9-year-old with telltale bruises on his face, and sets out in his grandfather's ancient van to track down a storage box that the old man left to him. The search takes Jay from oily Uncle Peter's posh suburban house to a hut in the Knysna Forest, with stops in a township and at a home for abandoned children. Meanwhile, it takes on symbolic meaning for Jay, who seeks not only clues to his family's past but also direction in his own life. Williams draws random plot elements from the story of Jason and the Golden Fleece and shoehorns in several subplots—Jay's senile grandmother takes to swallowing silverware; he learns that Uncle Peter has not only had a relationship with his mother (oddly, Jay sees her as guiltless) but has been misusing trust funds that are rightfully his; and Levi is ultimately beaten to death by his mother's abusive boyfriend. The box turns out to contain legal documents plus almost 200 stories, all unfinished—his grandfather's real legacy and the spark that sets Jay on the road to becoming a writer. Some poignant moments and a rather dark sense of humor help to tie the disparate elements together. (Fiction. YA)
Pub Date: July 1, 1994
ISBN: 0-525-67470-5
Page Count: 224
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1994
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
