The White House has naturally denied and decried Wolff’s account, but even if it’s only halfway accurate, it presents an...
Headline-grabbing fly-on-the-wall view of the dysfunctional playroom that is the Trump White House.
“What is this ‘white trash’?” asks a fashion model of Donald Trump. He replies, “They’re people just like me, only they’re poor.” There’s a certain Snopes-comes-to-the-big-city feel to celebrity journalist Wolff’s (Television Is the New Television: The Unexpected Triumph of Old Media in the Digital Age, 2015, etc.) tawdry portrait of the current occupants of the White House, which, writes the author, is based on conversations with the president and his senior staff and backed by hundreds of hours of recordings. Given the many competing fiefdoms in the West Wing, Wolff adds, no one wholly endorsed his access (“the president himself encouraged this idea,” he says), but no one quite said no, either. The results are damning, those competing fiefdoms not just jealous of their turf, but also vicious in their characterizations of the other side. Most aggressively nasty, by the author’s account, is former assistant Steve Bannon, who describes Trump as “a simple machine” with a binary of flattery and calumny, while he declares that “I am the leader of the national-populist movement” and suggests that Trumpism can do fine without its namesake—who, he adds, will not be around for a second term. Wolff has plenty of sting himself. Of one-time intern-turned–power broker Stephen Miller, he sneers, “he was supposed to be the house intellectual but was militantly unread,” while he suggests that the dumb-as-a-brick (Bannon’s characterization) Ivanka’s relationship with her father is purely transactional: “It was business. Building the brand, the presidential campaign, and now the White House—it was all business.” No one in the administration seems up to the job he or she is supposed to be doing, and there’s an ugly, startling instance of incompetence on every page.
The White House has naturally denied and decried Wolff’s account, but even if it’s only halfway accurate, it presents an appalling view of a frighteningly unqualified and unprepared gang that can’t think straight.Pub Date: Jan. 5, 2018
ISBN: 978-1-250-15806-2
Page Count: 336
Publisher: Henry Holt
Review Posted Online: Jan. 5, 2018
IN THE NEWS
SEEN & HEARD
SEEN & HEARD
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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