The breadth of Hitchcock’s career and personal life defies easy summation, but Wood’s quickly paced, informative biography...
A brief portrait of cinema’s most iconic silhouette, Alfred Hitchcock (1899-1980).
The director’s work has the rare privilege of being equally acclaimed by critics and popular audiences. As such, Hitchcock’s films have become part of the collective imagination, and “Hitchcockian” is a common idiom used to describe films that parrot his signature style. With such vast influence, Wood (Emeritus, Comparative Literature/Princeton Univ.; Film: A Very Short Introduction, 2012, etc.) offers an entry-level study of the famed auteur, unpacking the ways in which Hitchcock “can change the way we see.” Besides showing off his talent for close reading as he dissects scenes from Hitchcock’s classic films and personal life, Wood also provides vital contextualization to the films he analyzes, such as his “British” films and those with political overtones made during wartime. What is most remarkable about Hitchcock’s films is his insistence on chance meetings, serendipity and mistaken identity. For Hitchcock, who was famously distrustful of authority, the ordered world, and its reliance on reason, was misleading. He found more truth in happenstance, in which the impossible was made ordinary, and he crafted a world in which the improbable was not only accepted by viewers, but expected. Wood gives special attention to Hitchcock’s most famous films, like Vertigo and North by Northwest, but the author also analyzes many of the early, less-recognized films. For all his celebrated artistic sensibility, Wood is clever to point out that Hitchcock was always dependent on the help of others, most importantly his wife, Alma, whom he outwardly relied on for artistic council—and without whom he may not have been so prolific or revered.
The breadth of Hitchcock’s career and personal life defies easy summation, but Wood’s quickly paced, informative biography is a welcome primer for anyone interested in learning more about one of film’s most important figures.Pub Date: March 24, 2015
ISBN: 978-0-544-45622-8
Page Count: 144
Publisher: Amazon/New Harvest
Review Posted Online: Jan. 7, 2015
Kirkus Reviews Issue: Jan. 15, 2015
PROFILES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
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