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SHAKESPEARE

Profusely illustrated program “guide” that stands quite well on its own.

The British producer of much-praised educational TV blockbusters along with their printed companions (In the Footsteps of Alexander the Great, 2000, etc.) does up the life of the Bard with gusto.

Wood comes to the task steeled with an attitude: the world’s greatest playwright was a real person who did write the plays published under his name, albeit frequently as a collaborator or making liberal use of others’ original material, and Shakespeare’s work should ultimately be considered as a product of his time and place. Giving credence to coincidence in a way that allows him access to intriguing conclusions from which more rigid researchers have generally abstained, the author produces a titillating text not quite within the bounds of formal scholarship. Yet Wood, trained as a medievalist, has done plenty of homework. In parsing a reference to a fleeing Cleopatra as “a cow in June, with the breeze upon her,” for instance, he finds an example of Shakespeare’s injection of barnyard Warwickshire dialect, in which “breeze” refers not to wind but to a pack of gadflies, here metaphors for the queen’s Roman pursuers. The author’s perspective is freshest when outlining the stark realities of the Elizabethan Reformation, a police state imposing a sharp left turn on the ecclesiastical practices of an entire nation on pain of the rack or the gallows (or both). This was the formative milieu for young Will, descended from staunch Catholics on both sides of his family; Wood provocatively argues that Shakespeare later sought to bestow on posterity the crypto-pagan myths of heroes, goblins, fairies, etc., that Puritans lumped with “popish” practices by alluding to this vanishing culture in his major works. The poet’s “lost years” are still much occluded, the author allows, but Wood supports William Herbert as the sonnets’ boy love object (possibly unconsummated).

Profusely illustrated program “guide” that stands quite well on its own.

Pub Date: Oct. 1, 2003

ISBN: 0-465-09264-0

Page Count: 352

Publisher: Perseus

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 1, 2003

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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