This novel’s stakes can sometimes feel too modest, but its empathy and lived-in qualities are both appealing.
A Detroit couple faces personal and professional challenges.
The latest novel by Zadoorian (Beautiful Music, 2018, etc.) explores the lives of two people questioning the relationship they’ve been in for the last 15 years. It's 2009; Ana Urbanek and Joe Keen live a comfortable life in Detroit. Ana works in advertising, where she makes a good living. Joe is a freelance writer, and his income is far more variable and intermittent. While the economic disparity between their professions leads to some tension within the relationship, it’s minor. Though they’ve been together for a while, neither Joe nor Ana has an interest in having children, and even marriage is something that seems overly formal. As both turn 40, however, the occasion makes them question their choices in life. Ana gets a promotion at work while Joe takes a day job; each of those offers its own challenges to their senses of self and to the relationship they’ve nurtured for so long. These themes are accentuated by the choice of setting, both in terms of the city and in terms of the year. Detroit in 2009 is depicted as a place whose glory days are behind it and whose future is uncertain. Ana and Joe are neither fortune-seeking gentrifiers nor grizzled veterans, and their need to find a specific place where they belong makes for some of this novel’s most affecting moments. The parallel narratives don’t quite line up, as Ana’s challenges, including doing work for an organization she feels ideologically opposed to and grappling with a potential workplace romance, feel several echelons higher than Joe’s. But overall, Zadoorian concisely evokes his protagonists’ struggles.
This novel’s stakes can sometimes feel too modest, but its empathy and lived-in qualities are both appealing.Pub Date: May 5, 2020
ISBN: 978-1-61775-818-8
Page Count: 304
Publisher: Akashic
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
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