Original and thought-provoking.
In this debut collection, nine stories shed light on Old Testament women famous, infamous and obscure.
“God said one thing. The snake said another. Which is how I learned that someone had to be lying,” Eve remarks in the title story. Where the Bible’s women are concerned, Lemberger, a respected scholar in the field, is as skeptical as Eve. After her husband (in “Lot’s Wife”) threatens to throw his daughters to a mob of rapists, Lot’s wife rescues the girls, torches Sodom and escapes—no divine wrath or pillar of salt in sight. The familiar story of Sarah and Hagar (“The Watery Season”) highlights the downside of selling young women as handmaidens to produce children for men whose wives are barren. In Lemberger’s take on Exodus (“Drawn from the Water”), colicky, wailing Moses can’t be hidden, like other male newborns, from the Egyptian slave masters, so his sister Miriam, a wisecracking adolescent, is charged with setting him afloat in the Nile. The reader’s sympathy will be drawn not to established biblical heroes but to misunderstood or otherwise marginalized minor players. Vashti, the deposed queen of Persia, and her sister Zeresh, the narrator, are the focus of “Zeresh, His Wife,” not Esther, who takes Vashti’s place, nor her uncle Mordechai, who brings down Zeresh’s hapless husband, Haman. When Yael, in “City of Refuge,” kills enemy general Sisera, she is glorified by warrior queen Deborah; but Yael is revealed as a true pacifist. In “Shiloh,” fecund Penina, another woman sold as a “breeder” and traditionally seen as resentful, nobly forgoes an opportunity to displace her rival wife, Hannah. The most villainous character here is King David: Not only does he overthrow his mentor, King Saul, but he abandons his first wife, Saul’s daughter Michel, for years, forcibly reclaiming her out of spite (“Saul’s Daughter”). While avoiding outright irreverence or anachronism, Lemberger’s diction gives cogent voice to all her underestimated or overlooked narrators.
Original and thought-provoking.Pub Date: April 1, 2015
ISBN: 978-1-938849-47-3
Page Count: 276
Publisher: Prospect Park Books
Review Posted Online: Feb. 4, 2015
Kirkus Reviews Issue: Feb. 15, 2015
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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