by Michel Digout & illustrated by Simon Digout & developed by tapatap ‧ RELEASE DATE: Oct. 25, 2013
Quibbles aside, a terrific depiction of a young mind slipping off into vivid daydreams. Young readers will be hard put not...
An African village child’s flights of imagination soar even higher thanks to exemplary art, narration and animation.
The titular expostulation couldn’t be more wrong. Sitting comfortably in a patch of shade, young Awa observes that the new plaits in her hair look like baobabs—thus sparking a remarkable chain of free associations. Taps on highlighted words in her ruminations bring quick glimpses of hooting monkeys and other animals around a mighty tree, piranhas and a caiman splashing in the Amazon River, and also masklike “genies” bobbing in and out of view with snatches of percussive rattling. Drawn with quick, scribbly pen strokes and bright digital paints, the rain forest scenes, the creatures within them and the skies overhead glow with colors—nearly always unexpected ones, such as a zebra that, with successive taps of the text, flashes stripes of intense green, purple and red. Adding cinematic touches, smooth pans and dissolves (almost all tap-activated) follow the twisting path of Awa’s reverie to a final close-up of her sleeping, smiling face. The designers avoid a common flaw by allowing the expressive audio reading, available in English or French, to be switched off without also turning off the animal noises and other background sounds. There is, however, no way to go back or start over without closing the app.
Quibbles aside, a terrific depiction of a young mind slipping off into vivid daydreams. Young readers will be hard put not to follow. (iPad storybook app. 5-9)Pub Date: Oct. 25, 2013
ISBN: N/A
Page Count: -
Publisher: tapatap
Review Posted Online: Nov. 26, 2013
Kirkus Reviews Issue: Dec. 15, 2013
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by Loren Long & illustrated by Loren Long ‧ RELEASE DATE: Sept. 1, 2009
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
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SEEN & HEARD
by Josh Schneider & illustrated by Josh Schneider ‧ RELEASE DATE: May 1, 2011
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
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