by Michel Faber ‧ RELEASE DATE: Nov. 28, 2023
Great, smart fun, and full of theses to provoke arguments and pointers for new ways to, yes, listen.
An entertaining excursus into the noisy world of music.
“When you were born, what did you know about music? The only sounds you instinctively loved were made by your mom.” So writes British novelist Faber, author of The Crimson Petal and the White, in this appealing foray into nonfiction. This isn’t Nick Hornby territory—Faber isn’t interested in sharing his top-10 album list or revealing much about his musical holdings, save that he doesn’t love the Wings album Band on the Run or early ’70s Deep Purple—but instead a liminal land incorporating neurology, psychology, and sociology. Most of us profess to love music, but do we really listen to it? And what do we listen to? For many seeking to find their tribe, it’s the music that everyone else in that tribe is listening to; for many who’ve already self-identified, music is often a stroll down memory lane. Faber is highly opinionated (“Holland would prove to be The Beach Boys’ last artistically credible album”; “Some people just have shitty taste”), but he’s also self-effacing and -deflating, and he poses fun challenges. For example, if you really love music, then instead of listening to an Eagles knock-off band, seek out the pop tunes of a place like Honduras or Fiji, and then branch out beyond your preconceptions and your nostalgia soundtrack and find something that will carve a few new furrows into your cerebrum. The author also recommends you not waste your time staking out a position in the snobbish arguments about whether vinyl or CDs or mp3s sound better than other media. The real medium, he insists, is your mind, and it’s our instrument, too. “The world,” he writes memorably, “is playing us.”
Great, smart fun, and full of theses to provoke arguments and pointers for new ways to, yes, listen.Pub Date: Nov. 28, 2023
ISBN: 9781335000620
Page Count: 336
Publisher: Hanover Square Press
Review Posted Online: Sept. 5, 2023
Kirkus Reviews Issue: Oct. 1, 2023
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by Amy Tan ; illustrated by Amy Tan ‧ RELEASE DATE: April 23, 2024
An ebullient nature lover’s paean to birds.
A charming bird journey with the bestselling author.
In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”
An ebullient nature lover’s paean to birds.Pub Date: April 23, 2024
ISBN: 9780593536131
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
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by Walter Isaacson ‧ RELEASE DATE: Sept. 12, 2023
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
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New York Times Bestseller
A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
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