by Michel Faber ‧ RELEASE DATE: July 1, 2000
The process of procurement is duly horrific, but the procurer’s transformation from ruthless to compassionate, even with the...
An eerie debut novel from Faber, Dutch-born, turns the Scottish Highlands into a landscape from The Twilight Zone as Scotland’s brawny best meet their match in the diminutive Isserly, who takes many of them on a short ride from which there’s no return.
Isserly is like a woman possessed as day after day she cruises back and forth on the Highland highways on the lookout for male hitchhikers with big thighs and broad chests. Once she finds one, she gives him a lift and immediately puts him at ease by placing her own ample chest on display. The whole of her is strange—dwarflike, heavily scarred, Coke-bottle glasses—but the huge breasts are what hold the eye of her passenger, keeping him transfixed while she engages him in conversation. If the talk goes in one direction, Isserly lets her man go, but if she gets the answers she seeks, her breath grows shallow, her heart races, and she flips the switch that will drug the man through his seat, incapacitating him long enough for her to drive him back to her remote farmhouse, where he will undergo an experience outdoing his worst nightmare. Isserly, it turns out, is a procurer from another planet whose job—for which she’s been surgically altered in a way that leaves her in constant pain—is simply, well, to bring home the bacon. But she has fallen in love with this world of sea and snow so unlike her own, and when a handsome visitor from her world arrives to remind her that in spite of her mutilation her feelings are not dead, she realizes she’s no longer able to do her job.
The process of procurement is duly horrific, but the procurer’s transformation from ruthless to compassionate, even with the conventional budding-romance twist, provides a more compelling dimension—and it’s enhanced by the superbly evoked imagery of the Highlands.Pub Date: July 1, 2000
ISBN: 0-15-100626-1
Page Count: 320
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2000
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by Michel Faber
by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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