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CONFESSIONS OF THE FLESH

THE HISTORY OF SEXUALITY, VOLUME 4

A brilliant, challenging contribution to the history of ideas.

The long-awaited culmination of the noted historian and philosopher’s multivolume work on human sexuality.

It has long been rumored that acolytes of Foucault, who died in 1984, would complete a work that the scholar intended to remain incomplete, having publicly stated that he wanted no posthumous publications. While it is true, writes Gros, that some of the draft work in the History of Sexuality series will not be published, the present volume was substantially complete. The subject is largely the “problematization of the flesh by the Christian fathers,” involving exegetical and teleological leaps. Following the teachings of second-century apologist Justin, it is dogma that one has sex only to produce children. This being a Foucauldian investigation, there are fascinating wrinkles and arcana aplenty. In the case of Justin, for instance, sex figures in a long catalog of “a code for living,” one that includes what one should drink, what sorts of shoes and jewelry are appropriate to Christians, what kind of furniture one should buy, etc. For his part, Clement of Alexandria and other theologians further the insistence that sex is for procreation, but again with a wrinkle, namely the “seemingly rather arbitrary distinction that Clement introduces between the generation of progeny, which must be the ‘goal’ of sexual relations, and the value of having descendants, which must be its ‘end.’ ” Foucault also explores how Adam and Eve must have been virgins, according to Augustine and others, operating along the lines of sexual magic that incorporates parthenogenesis, while the sexual act followed by later humans is an aspect of a “paroxysmal bloc” that binds together “sex, truth, and law.” That bloc was also closely monitored, surrounded by prescriptions and proscriptions, and governed by “a very precise codification of the moments, the initiatives, the invitations, the acceptances, the refusals, the positions, the gestures, the caresses, even the words…that can take place in sexual relations.”

A brilliant, challenging contribution to the history of ideas.

Pub Date: Feb. 16, 2021

ISBN: 978-1-5247-4803-6

Page Count: 416

Publisher: Pantheon

Review Posted Online: Nov. 24, 2020

Kirkus Reviews Issue: Dec. 15, 2020

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I'M GLAD MY MOM DIED

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 30, 2022

Kirkus Reviews Issue: July 1, 2022

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THE MYTH OF SISYPHUS

AND OTHER ESSAYS

This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.

Pub Date: Sept. 26, 1955

ISBN: 0679733736

Page Count: 228

Publisher: Knopf

Review Posted Online: Sept. 19, 2011

Kirkus Reviews Issue: Sept. 1, 1955

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