A hyperkinetic, audacious grotesquerie about metamorphosis and the inevitability of change.
A mosquito-borne fever dream that fleshes out the author’s 2022 O. Henry Award–winning short story.
Coming from a literary tradition known for magical realism and societal criticism, Argentine writer Nieva’s English-language debut boils both into a hallucinogenic cocktail about the end of one world and the beginnings of another. Earth is in sorry shape in 2272—the polar ice caps have melted away, leaving much of South America underwater with Antarctica the new Patagonia. Meanwhile, the divide between the poor (everyone) and the ultrawealthy is stretched to garish proportions as investors rake in fortunes betting on the emergence of new viruses and enjoy the apocalypse on luxurious cruise ships. This is the future given to the titular antihero, a human/mosquito hybrid with insectlike features, a disdainful mother, and a burgeoning existential crisis. Banished to a torturous summer camp, young Dengue Boy abruptly becomes Dengue Girl, slaughters a classmate, and sets off on a revenge tour, vowing “Mosquitos, reign over this world!” We also meet René Racedo, the daughter of an influential virofinance broker, who’s obsessed with a violent, genocide-themed videogame that pits “Christians vs. Indians,” and Noah Nuclopio, the time-traveling founder of Ascension Industries and Solutions, whose connections to Dengue Girl are closer than they appear. It’s an otherworldly trip reminiscent of Philip K. Dick’s altered states, complete with telepathic stones and a thriving bootleg trade in both illegal stimulants and “sheepies”—more “sexual organ with autonomy and a life of its own”than electronic sheep. It’s a bit hard to know what to make of the book, whether as an acidic prosecution of colonialism, capitalism, and climate change denial or a hyper-exaggerated back door into identity and body horror. Ultimately, it’s about transformation as an elemental force—of the self, body, or world—delivered as a mighty yelp of defiance from a most unusual prophet.
A hyperkinetic, audacious grotesquerie about metamorphosis and the inevitability of change.Pub Date: Feb. 4, 2025
ISBN: 9781662602658
Page Count: 224
Publisher: Astra House
Review Posted Online: Dec. 28, 2024
Kirkus Reviews Issue: Feb. 1, 2025
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.
Two brothers—one a lawyer, one a chess prodigy—work through the death of their father, their complicated romantic lives, and their even more tangled relationship with each other.
Ten years separate the Koubek brothers. In his early 30s, Peter has turned his past as a university debating champ into a career as a progressive lawyer in Dublin. Ivan is just out of college, struggling to make ends meet through freelance data analysis and reckoning with his recent free fall in the world chess rankings. When their father dies of cancer, the cracks in the brothers’ relationship widen. “Complete oddball” Ivan falls in love with an older woman, an arts center employee, which freaks Peter out. Peter juggles two women at once: free-spirited college student Naomi and his ex-girlfriend Sylvia, whose life has changed drastically since a car accident left her in chronic pain. Emotional chaos abounds. Rooney has struck a satisfying blend of the things she’s best at—sensitively rendered characters, intimacies, consideration of social and philosophical issues—with newer moves. Having the book’s protagonists navigating a familial rather than romantic relationship seems a natural next step for Rooney, with her astutely empathic perception, and the sections from Peter’s point of view show Rooney pushing her style into new territory with clipped, fragmented, almost impressionistic sentences. (Peter on Sylvia: “Must wonder what he’s really here for: repentance, maybe. Bless me for I have. Not like that, he wants to tell her. Why then. Terror of solitude.”) The risk: Peter comes across as a slightly blurry character, even to himself—he’s no match for the indelible Ivan—so readers may find these sections less propulsive at best or over-stylized at worst. Overall, though, the pages still fly; the characters remain reach-out-and-touch-them real.
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.Pub Date: Sept. 24, 2024
ISBN: 9780374602635
Page Count: 464
Publisher: Farrar, Straus and Giroux
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
PERSPECTIVES
PERSPECTIVES
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