Norris offers crucial insight into how Americans think about race, combining the painful with the inspiring.
A notable collection of short, pithy messages about race and identity.
As Peabody Award–winning journalist Norris, the author of The Grace of Silence, notes, many Americans find it difficult to discuss race in an open-minded, productive way. In 2010, to gauge opinion about the subject, the author started a project in which she distributed cards, asking them to be returned to her with a six-word message about experiences or views connected to race. She first assumed she would receive a trickle of responses, but it became a flood, representing an impressive range of racial categories in the U.S., from white to Black to Asian to Native American and beyond. Gradually, the project expanded to include longer stories and interviews. This book is a curated collection spanning a wide spectrum of thinking. In many cases, the sense of resentment goes back decades or even generations, so deep it is difficult to see how it can be assuaged. Despite the variety of contributions, there is no clear answer to the central question of whether racial differences should be emphasized or minimized. Many Black respondents tell stories of police who automatically assume they are guilty of something, and many Asians reflect on how they feel persistently stereotyped. Numerous white contributors indicate they believe they are assuming blame for past events in which they were not involved. Norris eventually comes down on the side of the “bridge builders” who can reach across differences, rather than the dividers. “America has made commendable and incredible progress in matters of race,” she writes. “I never take that for granted, but continued progress will require collective and constant toil.” The author’s own message? “Still more work to be done.” The book features dozens of full-color photos.
Norris offers crucial insight into how Americans think about race, combining the painful with the inspiring.Pub Date: Jan. 16, 2024
ISBN: 9781982154394
Page Count: 528
Publisher: Simon & Schuster
Review Posted Online: Sept. 28, 2023
Kirkus Reviews Issue: Nov. 1, 2023
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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