Insightful close readings inform a fervent homage.
Rereading an illustrious writer.
As part of Oxford University Press’ My Reading series, award-winning novelist, poet, memoirist, and playwright Roberts offers intimate reflections about her connection to Colette (1873-1954) by considering four texts that had particular significance for her: My Mother’s House, a prismatic memoir of linked stories; Break of Day, an autobiographical novel; Chéri, Colette’s famous tale of a seductive gigolo and his aging mistress; and The Rainy Moon, a novella that Roberts first read during a particularly dark time when she was in her 30s. Raised in the “grip of Catholic morality” by a strict, undemonstrative mother, sent to a convent school that instilled a sense of “self-hatred as a woman,” the young Roberts discovered in Colette “an enticing landscape distinguished by its straightforwardly amoral celebration of sensuality.” My Mother’s House, in which Colette’s mother, Sido, “appears as a figure of powerful, overarching mythic status,” helped Roberts to rethink her relationship with her own overpowering mother and to find her way back “to that unsentimental, strong, practical French woman.” Colette showed her a new way to think about femininity as well, not as self-abnegation or inferiority to men, but “as a performance or a disguise or a fancy-dress costume.” For Colette, Roberts asserts, writing was aggressive, in keeping with her celebration of her “robust, healthy body” and voracious appetites. Besides highlighting themes of women’s independence and agency, Roberts reveals ways that Colette shaped her as a writer: teaching her, for example, that there was “a wealth of ways to use autobiographical material”; presenting prodigious examples of “supple and muscular” prose, skillfully shaped characters and dialogue, and writing replete with sensuous textures and sharply observed details.
Insightful close readings inform a fervent homage.Pub Date: today
ISBN: 9780192858214
Page Count: 160
Publisher: Oxford Univ.
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
Delightfully offbeat and unexpectedly moving.
An actor and comedian tells the story of her journey from being an unpaired “animal” to a “new mammal mother” in love.
After Slate completed her first book, “the issue of finding a partner…never rested and never allowed rest for [her] either.” Senses heightened, she had stepped into her most animal self and was on a quest to “fulfill [her] mammal instincts.” Loneliness and emotional vulnerability made her seek connection with neighborhood dogs and insights from books that promised to bring soulmates. When love did finally find her, the anxiety that he would reject her for being herself and “drinking tequila on a Saturday afternoon…then [having] a bath with my friend” was intense. After the pair became a couple and Slate became pregnant with the baby she called “the lifeform,” her neuroses—which the author mocks through an imaginary session with a psychologist—went into overdrive. Yet even as she wrestled with her fears, Slate also discovered that the body that was so often a “bay of doubt” was also becoming a “harbor of well-being” for the life-form to which she was attached. Then, during a time of “plague and disruption,” the author “exploded [her] vagina” to give birth, becoming not only a mother, but a “mammal with a soul that [was] born anew every day.” Though still haunted by a “purple-dark hole marking me in the afternoons,” Slate had become secure enough in the “nest” she had built for herself to see the hole more as a “bluish egg-thing” portending possibility. At times whimsical in its flights of fancy and always surprising in the moments of lyrical grace it offers, Slate’s book celebrates the transformative power of surrendering to love and life.
Delightfully offbeat and unexpectedly moving.Pub Date: Oct. 22, 2024
ISBN: 9780316263931
Page Count: 240
Publisher: Little, Brown
Review Posted Online: Aug. 30, 2024
Kirkus Reviews Issue: Oct. 1, 2024
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