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The Three Graces

An engaging fantasy story about letting go of the past and learning to love oneself.

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Three young women, shaken by mysterious episodes in which they transcend time and space, forge an unlikely friendship in Wolfe’s charming debut novel.

It’s the fall semester at Boulder, Colorado’s Stone College for juniors Jessie, Sara, and Isabel, but midterm exams are the least of these girls’ worries. For each girl, what started as a few unsettling sensations—such as hearing music when none was playing or inexplicably smelling salt water—becomes something far more intense. It turns out that each co-ed has access to a hidden world. Their experiences, which seem like premonitions, aren’t always pleasant: Jessie becomes trapped inside a maze; Isabel finds herself marooned in a seaside cave; and chains “slither up” Sara’s arms and legs. As pressures at home and school begin to mount, the girls escape to California for what’s supposed to be a fun-filled getaway. However, their baffling out-of-body incidents continue. During a visit to Hearst Castle, Jessie, Sara, and Isabel are drawn toward a marble statue depicting the goddesses Brilliance, Joy, and Bloom. Can the connections they establish with the deities help them conquer their fears and put an end to their otherworldly excursions? Or has it just brought them closer to the forces they hope to escape? Although several supernatural elements skirt around the plot’s edges, the focus of this tale is on friendship. Jessie, Sara, and Isabel find one another at a critical point, as each woman questions herself and her future. Although the strange places in which they find themselves can be unsettling, it’s a credit to Wolfe that the most memorable passages are set in the real world. One such scene comes early in the novel as Isabel, who struggles to connect with her parents, watches her mother loosen her father’s boots after the old man has fallen asleep in his recliner: “It was only in moments like this, just glimpses really, when she felt anything for them,” Wolfe writes. “And how horrible was that?” Other epiphanies reveal themselves just as quietly, making for an unexpectedly tender—and honest—coming-of-age tale.

An engaging fantasy story about letting go of the past and learning to love oneself. 

Pub Date: June 6, 2014

ISBN: 978-1-941668-02-3

Page Count: 280

Publisher: Then Three Graces

Review Posted Online: Oct. 2, 2015

Kirkus Reviews Issue: Nov. 1, 2015

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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