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WHY THE COCKS FIGHT

DOMINICANS, HAITIANS, AND THE STRUGGLE FOR HISPANIOLA

Wucker’s first book is a richly textured social history of Hispaniola. Wucker, a freelance writer specializing in Caribbean affairs, unveils the seemingly chaotic yet ritualistic world of the Dominicans and Haitians. Her approach is historical but not chronological, moving back and forth from the time of Columbus to the 20th century and through the intervening years to emphasize recurring themes rather than a linear story. In the process, we move from one strongman and atrocity to another, e.g., conquering Spaniards complain about the noisiness of natives when they are punished by being roasted alive; Trujillo massacres at least 15,000 Haitians residing within the Dominican Republic in 1937; and the Duvaliers arrogantly loot their own country, the poorest in the Western Hemisphere. Prejudices between Dominicans and Haitians, extreme differences in wealth, and a history of heavy-handed foreign intervention make Hispaniola a powder keg, yet the definitive explosion never occurs. For Wucker the explanation lies more in space than time; two nations share one island in a perpetual turf war paralleling the popular pastime of its residents, the cockfight. She argues that the cockfight is a symbol “of both division and community,” a combat which occurs within strict rules accepted by all as social norms. We are simultaneously horrified and fascinated because it presents an ugliness within ourselves, the natural aggression that emerges when one’s territory is threatened. For humans the contested space is more complex than the closed ring of the cocks—“it can be physical, economic, emotional, or cultural”—and the island’s geographic limits intensify the struggle. While the metaphor is suggestive, however, the cockfight is designed to pit equal combatants against each other, and among humans equality is in short supply on Hispaniola. Perhaps this explains why the victorious cock brings glory to his owner, yet the victors in the human competition have hardly been inspiring. A powerful cultural analysis. (b&w illustrations, not seen)

Pub Date: Jan. 1, 1999

ISBN: 0-8090-3719-X

Page Count: 320

Publisher: Hill and Wang/Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1999

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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