Alarming, provocative and convincing.
A civil-rights lawyer’s disturbing view of why young black men make up the majority of the more than two million people now in America’s prisons.
In this explosive debut, Alexander (Law/Moritz College of Law and the Kirwan Institute for the Study of Race and Ethnicity) argues that the imprisonment of unusually large numbers of young blacks and Latinos—most harshly sentenced for possession or sale of illegal drugs, mainly marijuana—constitutes “a stunningly comprehensive and well-designed system of racialized social control.” The “warehousing” of inner-city youths, she writes, is a new form of Jim Crow under which drug offenders—in jail or prison, on probation or parole—are denied employment, housing, education and public benefits; face a lifetime of shame; and rarely successfully integrate into mainstream society. The author blames the situation mainly on the War on Drugs, begun by Ronald Reagan in 1982, which grew out of demands for “law and order” that were actually a racially coded backlash to the civil-rights movement. The situation continues because of racial indifference, not racial bias, she writes. Many will dismiss the author’s assertions; others will find her observations persuasive enough to give pause. Most people who use or sell illegal drugs are white, but in many states 90 percent of those admitted to prison for drug offenses are black or Latino. Police departments, given financial incentives—cash grants and the right to keep confiscated cash and assets from drug raids—to focus on drug enforcement, find it easier to send SWAT teams into poor neighborhoods, where they will face less political backlash, than into gated communities and college frat houses. Also, most people do not care what happens to drug criminals, feeling that “they get what they deserve.” So what’s to be done? Alexander writes that civil-rights leaders, reluctant to advocate for criminals, remain quiet on the issue; President Obama, an admitted former user of illegal drugs, is not in a position to offer leadership; and policymakers offer only piecemeal reforms. She hopes a new grassroots movement will foster frank discussion about race, cultivate an ethic of compassion for all and end the drug war and mass incarceration.
Alarming, provocative and convincing.Pub Date: Feb. 1, 2010
ISBN: 978-1-59558-103-7
Page Count: 304
Publisher: The New Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2009
SEEN & HEARD
SEEN & HEARD
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
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