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BEYOND THE LAUGHING SKY

“There’s things you’ve seen and things you may not have, but there ain’t nothing that’s impossible, sugar,” says a village...

Nashville, who has qualities both human and birdlike, feels compelled to follow his avian destiny.

The storytelling is folksy, poetic and seductive, beginning, “Nashville and his family lived in a house perched in the branches of the largest pecan tree in the village of Goosepimple.” Little by little, readers learn how Nashville, unlike his adoring younger sister, Junebug, was hatched from an egg. He has a beak and feathers but, alas, no wings. Morstad’s illustrations support the funnier details, including the dinner-table “perch swings” that Nashville’s mother has installed “to make Nashville more comfortable” as he eats his seeds while his family eats typical human fare. The deadpan humor of Flat Stanley is invoked when Nashville’s parents take him for his annual physical examination—at the veterinarian’s office. In added playfulness, said vet is Dr. Larkin; the village teacher is Miss Starling. This allegory of growing up and finding one’s figurative wings is told sweetly and without great angst, despite inclusions of such subjects as school bullying and Nashville’s empathetic but highly illegal pet-store shenanigans. Yet there is an underlying melancholy throughout, somewhat mitigated by the possibility of future communications from the appealing bird-boy.

“There’s things you’ve seen and things you may not have, but there ain’t nothing that’s impossible, sugar,” says a village widow; readers will end the book with a new sense of possible. (Magical realism. 8-11)

Pub Date: Oct. 2, 2014

ISBN: 978-0-8037-3867-6

Page Count: 160

Publisher: Dial Books

Review Posted Online: July 28, 2014

Kirkus Reviews Issue: Aug. 15, 2014

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THE FIRST CAT IN SPACE AND THE WRATH OF THE PAPERCLIP

From the First Cat in Space series , Vol. 3

File under “laugh riot.”

A rogue spell-check program’s bid to transform all life-forms into that eminently useful office item, the paper clip, touches off a fresh round of lunar lunacy.

Predicated on the entirely reasonable premise that eliminating all spelling and grammar errors everywhere would logically lead to the necessity of exterminating carbon-based life in the universe, this third series entry combines high stakes with daffy banter and daring exploits. CheckMate—a chipper, jumped-up editing program—has invented the Transmogratron, a giant laser that will fulfill its ultimate goals in both the cyber world and “meatspace.” Facing challenges as random as prankster lunar unicorns and a disarmingly motherly Motherboard, scowling First Cat joins a motley crew of diversely carbon- and silicon-based allies, led by the pearlescent Queen of the Moon. They’re in a race to the finish—diverted occasionally by, for instance, a relentlessly punny comic-book interlude featuring a pair of literal and figurative Pool Sharks. They ultimately triumph thanks to teamwork and moxie. Following a celebratory party and toasts to “new friends…and steadfast comrades” (and, of course, “MEOW”), the story’s energetic, brightly colored panels close with a reveal of the next volume. (“I always hate it when comics end by announcing a sequel. SO CRINGE!” declares an authorial stand-in.) It can’t come too soon.

File under “laugh riot.” (Graphic science fiction. 8-11)

Pub Date: Nov. 5, 2024

ISBN: 9780063315280

Page Count: 272

Publisher: HarperAlley

Review Posted Online: Sept. 14, 2024

Kirkus Reviews Issue: Oct. 15, 2024

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TUCK EVERLASTING

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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