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I'LL SEE YOU IN PARIS

A fine tribute to a one-in-a-million character despite a few hard-to-swallow plot devices.

After becoming engaged to a Marine just before he ships off to the Middle East, Annie travels with her mother to England, where a mysterious crumbling estate and an aging aristocrat change her life.

Annie meets Eric in a bar and finds herself engaged to him within a month. He’s preparing to deploy, and she’s packing for a trip to Banbury, England, with her mother, Laurel, who has some oddly secretive business to take care of. Days pass while Laurel is locked in complicated negotiations, so Annie hangs out in a pub, reading a biography of the vibrantly eccentric Duchess of Marlborough—a real person worth a Google search—who had lived in Banbury. Annie and the book catch the attention of Gus, an older gentleman who frequents the pub and knew the Duchess (aka Gladys) years ago, when she lived in the village as a recluse. Gus shares stories of the duchess’s last years, and here the author blends fact with a story built around two fictional characters, the biographer and the duchess’s paid companion, both of whom helped her outwit family members who were trying to get their hands on her fortune. After Annie realizes the home where the Duchess lived is the same property her mother is trying to sell, some investigation reveals she has a more personal stake in the story than she imagined. Gable (A Paris Apartment, 2014) tells an engaging story of a fascinating, largely forgotten historical figure against the backdrop of two fledgling romances, those of Annie and her fiance, who grow closer through emails, and the biographer and the companion, whose romantic adventures went awry but may still be salvaged decades later. Blending fact and fiction in an entertaining but occasionally confusing way, the author offers a fascinating version of the reclusive years of the larger-than-life duchess. Many aspects of her life are hard to believe, yet it’s the fictional story that sometimes stretches the threshold of credibility. Characters try too hard to maintain big secrets that, once revealed, seem unworthy of such effort, especially given how easily some of the big conflicts could be eliminated with simple conversations.

A fine tribute to a one-in-a-million character despite a few hard-to-swallow plot devices.

Pub Date: Feb. 9, 2016

ISBN: 978-1-250-07063-0

Page Count: 400

Publisher: Dunne/St. Martin's

Review Posted Online: Nov. 18, 2015

Kirkus Reviews Issue: Dec. 1, 2015

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THE UNSEEN

A deeply satisfying novel, both sensuously vivid and remarkably poignant.

Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.

Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.

A deeply satisfying novel, both sensuously vivid and remarkably poignant.

Pub Date: April 7, 2020

ISBN: 978-1-77196-319-0

Page Count: 272

Publisher: Biblioasis

Review Posted Online: Jan. 12, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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WHISTLING PAST THE GRAVEYARD

Young Starla is an endearing character whose spirited observations propel this nicely crafted story.

Crandall (Sleep No More, 2010, etc.) delivers big with a coming-of-age story set in Mississippi in 1963 and narrated by a precocious 9-year-old.

Due in part to tradition, intimidation and Jim Crow laws, segregation is very much ingrained into the Southern lifestyle in 1963. Few white children question these rules, least of all Starla Caudelle, a spunky young girl who lives with her stern, unbending grandmother in Cayuga Springs, Miss., and spends an inordinate amount of time on restriction for her impulsive actions and sassy mouth. Starla’s dad works on an oil rig in the Gulf; her mother abandoned the family to seek fame and fortune in Nashville when Starla was 3. In her youthful innocence, Starla’s convinced that her mother’s now a big singing star, and she dreams of living with her again one day, a day that seems to be coming more quickly than Starla’s anticipated. Convinced that her latest infraction is about to land her in reform school, Starla decides she has no recourse but to run away from home and head to Nashville to find her mom. Ill prepared for the long, hot walk and with little concept of time and distance, Starla becomes weak and dehydrated as she trudges along the hot, dusty road. She gladly accepts water and a ride from Eula, a black woman driving an old truck, and finds, to her surprise, that she’s not Eula’s only passenger. Inside a basket is a young white baby, an infant supposedly abandoned outside a church, whom Eula calls James. Although Eula doesn’t intend to drive all the way to Nashville, when she shows up at her home with the two white children, a confrontation with her husband forces her into becoming a part of Starla’s journey, and it’s this journey that creates strong bonds between the two: They help each other face fears as they each become stronger individuals. Starla learns firsthand about the abuse and scare tactics used to intimidate blacks and the skewed assumption of many whites that blacks are inferior beings. Assisted by a black schoolteacher who shows Eula and Starla unconditional acceptance and kindness, both ultimately learn that love and kinship transcend blood ties and skin color.

Young Starla is an endearing character whose spirited observations propel this nicely crafted story.

Pub Date: July 2, 2013

ISBN: 978-1-4767-0772-3

Page Count: 320

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: May 20, 2013

Kirkus Reviews Issue: June 15, 2013

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