Huneven appears on the scene with a California-set and deftly managed melodrama about life, love—and alcoholism. Red Ray was a thriving West Coast lawyer with a glamorous and ambitious wife—until she dumped him for being a drunk, and until he himself ended up nearly dead, thrown from a car wreck during a booze-driven tour of the southwest. ``Red Ray,'' says Huneven, ``rose from that curb a sober man.'' Where to go? What to do? Red returns to the half-decrepit Victorian mansion in the Santa Bernita Valley that he'd bought earlier as a gift and hobby for his renovation-minded wife and transforms it into—a ``drunk farm.'' The mansion itself was once the home of a rich and cultivated woman who was also owner of the surrounding citrus groves—and whose Mexican workers lived in small sturdy bungalows clustered near the groves. The hardworking but laid-back Red makes a great success of it, filling the mansion with recovering drunks, becoming well known, receiving grants, and earning the lifelong fidelity and affection of the men he cures. Huneven's story begins when Red takes on a graduate student in his 20s named Lewis Fletcher, who's in denial not only about his alcoholism but about his own destructive and immature temperament. As the long tale unravels in its leisurely way (the as-yet unspoiled valley, famous for its ``round rocks,'' is almost as much a character as the people in it), Lewis slowly gets cured—and slowly grows up—but there will be complications even so, partly from his love affair with the divorced Libby Pollack Daw and its unhappy aftermath, partly from his dealings with the treacherous local beauty, Billie Fitzgerald, partly from an old, deeply buried mystery, and partly from what happens to the beloved Red Ray. Long, slow, intelligent, and humane (not to mention filled with high expertise about alcoholism), Huneven's first offers an honest and compelling allure.
Pub Date: July 1, 1997
ISBN: 0-679-45437-3
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1997
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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